9780521285230 - Forging a Language: A Study of the Plays of Eugene O'Neill di Chothia, Jean (20 risultati)

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0521285232.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.

Condizione: New.

Paperback. Condizione: New. What must dramatic language do? Jean Chothia suggests it must shape our apprehension of individual character, at the same time conveying more to the audience than to the other characters; it must present us with a continually developing action as each speech emphasises or modifies our perception of what has gone before; and the action and staging must be so related to the dramatic language that they become its necessary complement in our experience of the play. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Chothia assesses how far he may be said to have fulfilled these obligations, a question on which critical opinion is sharply divided. Dr Chothia explores O'Neill's erratic career phase by phase, his use of literary models, his mastery of a wide range of registers from Swedish to Irish immigrant, as well as the imagery he forged amongst other things.

Condizione: New. In.

Paperback. Condizione: New.

Condizione: New. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist Dr Clothia explores O'Neill's erratic career phase by phase. Num Pages: 256 pages, bibliography, index. BIC Classification: 1KBB; DSB. Category: (U) Tertiary Education (US: College). Dimension: 216 x 140 x 15. Weight in Grams: 330. . 1982. Revised ed. paperback. . . . .

Brossura. Condizione: come nuovo.

Condizione: New. pp. 256.

Condizione: New. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist Dr Clothia explores O'Neill's erratic career phase by phase. Num Pages: 256 pages, bibliography, index. BIC Classification: 1KBB; DSB. Category: (U) Tertiary Education (US: College). Dimension: 216 x 140 x 15. Weight in Grams: 330. . 1982. Revised ed. paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: New. What must dramatic language do? Jean Chothia suggests it must shape our apprehension of individual character, at the same time conveying more to the audience than to the other characters; it must present us with a continually developing action as each speech emphasises or modifies our perception of what has gone before; and the action and staging must be so related to the dramatic language that they become its necessary complement in our experience of the play. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Chothia assesses how far he may be said to have fulfilled these obligations, a question on which critical opinion is sharply divided. Dr Chothia explores O'Neill's erratic career phase by phase, his use of literary models, his mastery of a wide range of registers from Swedish to Irish immigrant, as well as the imagery he forged amongst other things.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - What must dramatic language do Jean Chothia suggests it must shape our apprehension of individual character, at the same time conveying more to the audience than to the other characters; it must present us with a continually developing action as each speech emphasises or modifies our perception of what has gone before; and the action and staging must be so related to the dramatic language that they become its necessary complement in our experience of the play. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Chothia assesses how far he may be said to have fulfilled these obligations, a question on which critical opinion is sharply divided. Dr Chothia explores O'Neill's erratic career phase by phase, his use of literary models, his mastery of a wide range of registers from Swedish to Irish immigrant, as well as the imagery he forged amongst other things.

Paperback. Condizione: new. Paperback. What must dramatic language do? Jean Chothia suggests it must shape our apprehension of individual character, at the same time conveying more to the audience than to the other characters; it must present us with a continually developing action as each speech emphasises or modifies our perception of what has gone before; and the action and staging must be so related to the dramatic language that they become its necessary complement in our experience of the play. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Chothia assesses how far he may be said to have fulfilled these obligations, a question on which critical opinion is sharply divided. Dr Chothia explores O'Neill's erratic career phase by phase, his use of literary models, his mastery of a wide range of registers from Swedish to Irish immigrant, as well as the imagery he forged amongst other things. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Clothia assesses how far he may be said to have fulfilled is obligations as a playwright, a question on which critical opinion is sharply divided. Dr Clothia explores O'Neill's erratic career phase by phase. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 1st edition. 263 pages. 8.50x5.43x0.59 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. Print on Demand pp. 256 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Condizione: New. PRINT ON DEMAND pp. 256.

Paperback. Condizione: new. Paperback. What must dramatic language do? Jean Chothia suggests it must shape our apprehension of individual character, at the same time conveying more to the audience than to the other characters; it must present us with a continually developing action as each speech emphasises or modifies our perception of what has gone before; and the action and staging must be so related to the dramatic language that they become its necessary complement in our experience of the play. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Chothia assesses how far he may be said to have fulfilled these obligations, a question on which critical opinion is sharply divided. Dr Chothia explores O'Neill's erratic career phase by phase, his use of literary models, his mastery of a wide range of registers from Swedish to Irish immigrant, as well as the imagery he forged amongst other things. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Clothia assesses how far he may be said to have fulfilled is obligations as a playwright, a question on which critical opinion is sharply divided. Dr Clothia explores O'Neill's erratic career phase by phase. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this lucid and perceptive 1979 account of O Neill s linguistic development as a dramatist, Dr Clothia assesses how far he may be said to have fulfilled is obligations as a playwright, a question on which critical opinion is sharply divided. Dr Clothia ex.