Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 10,65
Quantità: 1 disponibili
Aggiungi al carrelloHardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Cambridge University Press, 2005
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Wissenschaftliches Antiquariat Köln Dr. Sebastian Peters UG, Köln, Germania
EUR 34,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: sehr gut. XIII, 186 S., Abb., 24 cm. Transferred to digital printing 2005, first published 1991. Sprache: Englisch.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Klondyke, Almere, Paesi Bassi
EUR 38,50
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Original gilt lettered black cloth, gilt lettered spine, some illustrations in b/w, 8vo.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 130,03
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: California Books, Miami, FL, U.S.A.
EUR 132,59
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 131,48
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 120,02
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 120,00
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 135,30
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. Num Pages: 204 pages, 11 b/w illus. BIC Classification: 1DFG; 3JD; 3JF; AVA; AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 13. Weight in Grams: 470. . 1991. Illustrated. hardcover. . . . .
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 133,46
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 166,65
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. Num Pages: 204 pages, 11 b/w illus. BIC Classification: 1DFG; 3JD; 3JF; AVA; AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 13. Weight in Grams: 470. . 1991. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 146,04
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Mispah books, Redhill, SURRE, Regno Unito
EUR 240,05
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Revaluation Books, Exeter, Regno Unito
EUR 129,11
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. 200 pages. 9.50x6.25x0.75 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Majestic Books, Hounslow, Regno Unito
EUR 133,69
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. Print on Demand pp. 204 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.
Lingua: Inglese
Editore: Cambridge University Press CUP, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. Print on Demand pp. 204 Index.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 136,08
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. PRINT ON DEMAND pp. 204 Acknowledgements.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 135,37
Quantità: Più di 20 disponibili
Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: CitiRetail, Stevenage, Regno Unito
EUR 128,92
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: moluna, Greven, Germania
EUR 130,22
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach incorporated significant words into his music, and provided himself with a symbolic compositional them.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 1991
ISBN 10: 0521361915 ISBN 13: 9780521361910
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 182,66
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts. In 1947 Friedrich Smend published a study claiming that J. S. Bach used a natural-order alphabet (A = 1 to Z = 24) in his works. He demonstrated that Bach provided himself with a symbolic compositional theme. Here, Dr Tatlow investigates the plausibility of Smend's claims with new evidence, challenging Smend's conclusions. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.