Isbn: 9780521550208 - vermeer: reception and interpretation (10 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Good Dust Jacket. 1st Edition. 288 pp. Tightly bound. Text is free of markings. No ownership markings. Good dust jacket with a couple short closed edge tears. Note: Lower corners are lightly bumped. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hardcover with dustjacket, 288 pages, very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very good. Hardcover. xii, 279pp+ index. Very good hardback in a very good dustjacket.

hardcover. Condizione: very good. very good(-). Illustrated with a handful of color and b/w plates. 288 pages. 4to, natural cloth, d.w. (Melbourne): Cambridge University Press, (1996). A very good copy--foxing to edges and front cloth; in a very good(-) wrapper--crinkles to upper edges, lightly sunned spine. Vermeer (illustratore).…

Hard Cover. Condizione: Near Fine Plus. Near Fine Plus. First Edition. hardcover in dust jacket., no flaws - clean, unmarked, tightly bound.; xvi-288pp., 8 color plates, 54 b/w figures., examines the renewal of interest in vermeer which commenced in 19th century germany and france, and continues ever more today, worldwide. Size: 4to - over 9¾" - 12" tall.…

Condizione: Used: Very Good. Near fine book & jacket. P/o name.

Hardcover. Tan cloth boards with gilt lettering on spine, dark green dust jacket with color illustration on front, white lettering, xii, 288 pp, bw and color illustrations. This study interprets the suppositions underlying Vermeer's canonisation and addresses the critical problem of locating paintings in history. This book also makes a large contribution to the evolving discipline of the history of art. Contents include: pt. I. Idyll -- The German Reception of Dutch Art and Vermeer's Paintings of Social Life. 1. Hegel's Legacy to German Scholarship on Seventeenth-Century Dutch Painting. 2. Vermeer's Paintings of Social Life as "Disturbed Idylls" 3. Temporality and Difference: "The Chinese Hat" -- pt. II. Fiction -- The French Reception of Vermeer and the Modernity of Vermeer's Cityscape. 4. French Travel Literature of the Nineteenth Century. 5. Art Criticism 1857-1913: The "Oriental" Vermeer. 6. The Modern Vermeer: Marcel Proust's Remembrance of Things Past. 7. Seriality and Originality: Vermeer's View of Delft, His "Identical World," and Dutch Painting in Proust's Remembrance of Things Past. 8. Fernbild -- pt. III. Allegory -- The Question of Authority in Vermeer's The Art of Painting and Allegory of Faith. 9. Theories and Concepts of Allegory. 10. Vermeer's The Art of Painting. 11. Veritas Filia Temporis. 12. Vermeer's Allegory of Faith. Includes bibliographical references (pages 261-279) and index. VG-/VG- (light bumping to corners, light wear to block and dust jacket).…

Hardcover. Covers clean, bright; pgs tight, clean, unmarked. Lacks DJ. .

Hardcover. Dust Jacket Included. 8vo. pp. xii, [1], 288. 4 double-sided colour plates & 54 text illus. biblio. index. cloth. dw. First Edition.

Hardcover. Condizione: New. 400-4550; 4to - over 9¾" - 12" tall; Hertel, Christiane; Vermeer, Johannes Vermeer: Reception and Interpretation {ART, DUTCH Cambridge Univ Press.