9780521848428 - Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster di Sullivan Jr, Garrett A. (22 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Fine in a Fine jacket. 1st Printing.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 184pp. Extremities book & Dj lightly rubbed. Endnotes & index.

Condizione: New. pp. 200.

Condizione: New. pp. 200 Illus.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: New.

Hardcover. Condizione: new. Hardcover. Engaging with current debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth and seventeenth century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr. discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter of which provides a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. Examining sixteenth and seventeenth century conceptions of memory and forgetting, this study demonstrates their importance to the drama and culture of the time. Garrett A. Sullivan discusses memory and forgetting in terms of which a variety of behaviors—from seeking salvation to pursuing vengeance to succumbing to desire—are conceptualized. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, he reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. In.

Condizione: New. A study of the concepts of memory and forgetting in early modern drama. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 196 pages, 1 b/w illus. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 14. Weight in Grams: 422. . 2005. Illustrated. hardcover. . . . .

Hardcover. Condizione: Like New. Like New. book.

Hardcover. Condizione: Brand New. new title edition. 196 pages. 9.25x6.50x0.75 inches. In Stock.

Condizione: New. A study of the concepts of memory and forgetting in early modern drama. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 196 pages, 1 b/w illus. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 14. Weight in Grams: 422. . 2005. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - A study of the concepts of memory and forgetting in early modern drama.

Hardcover. Condizione: Brand New. new title edition. 196 pages. 9.25x6.50x0.75 inches. In Stock. This item is printed on demand.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. Engaging with current debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth and seventeenth century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr. discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter of which provides a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. Examining sixteenth and seventeenth century conceptions of memory and forgetting, this study demonstrates their importance to the drama and culture of the time. Garrett A. Sullivan discusses memory and forgetting in terms of which a variety of behaviors—from seeking salvation to pursuing vengeance to succumbing to desire—are conceptualized. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, he reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This fascinating study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance for both early modern culture and the drama of Shakespeare, Marlowe and Webster. The author shows how early modern playwrights unde.

Condizione: New. PRINT ON DEMAND pp. 200 Acknowledgement.

Buch. Condizione: Neu. Memory and Forgetting in English Renaissance Drama | Garrett A. Sullivan | Buch | Gebunden | Englisch | 2015 | Cambridge University Press | EAN 9780521848428 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardcover. Condizione: new. Hardcover. Engaging with current debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth and seventeenth century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr. discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter of which provides a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. This fascinating study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance for both early modern culture and the drama of Shakespeare, Marlowe and Webster. The author shows how early modern playwrights understood 'self-forgetting' as the occasion for dramatic experiments in representing human behaviour and identity. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.