Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
EUR 15,06
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Aggiungi al carrelloPaperback or Softback. Condizione: New. Major Labels: A History of Popular Music in Seven Genres 1. Book.
EUR 25,57
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EUR 20,60
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Aggiungi al carrelloCondizione: New. Kelefa Sanneh has been a New Yorker staff writer since 2008, before which he spent six years as a pop-music critic at The New York Times. He is also a contributor to CBS Sunday Morning. Previously, he was the deputy editor of .
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 22,48
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Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 26,03
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. 168.
EUR 22,65
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Aggiungi al carrelloPaperback. Condizione: Brand New. 476 pages. 8.50x5.50x1.25 inches. In Stock.
Editore: Penguin Publishing Group Okt 2022, 2022
ISBN 10: 0525559612 ISBN 13: 9780525559610
Lingua: Inglese
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 25,61
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - 'In Major Labels, Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of popular music and how it unites and divides us. Sanneh distills a career's worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with everything from his own punk youth to the racial dynamics of rap and country to the genius of Shania Twain. Sanneh shows how musical genres have been defined by the tension between mainstream and outsider, authenticity and phoniness, right and wrong. He upends familiar ideas of musical greatness as he relays the history of each genre and the artists and events that have shaped them. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.'.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 25,01
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EUR 17,19
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Aggiungi al carrelloCondizione: New. Special order direct from the distributor.
EUR 26,38
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. One of Oprah Daily's 20 Favorite Books of 2021 Selected as one of Pitchfork's Best Music Books of the YearOne of the best books of its kind in decades. The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a careers worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular musicas an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isnt transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 25,08
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. One of Oprah Daily's 20 Favorite Books of 2021 Selected as one of Pitchfork's Best Music Books of the YearOne of the best books of its kind in decades. The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a careers worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular musicas an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isnt transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Da: Visible Voice Books, Cleveland, OH, U.S.A.
EUR 18,28
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Aggiungi al carrellopaperback. Condizione: New. Penguin Books October 2022.
Da: Lakeside Books, Benton Harbor, MI, U.S.A.
EUR 11,66
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Aggiungi al carrelloCondizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
EUR 14,26
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EUR 19,19
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. One of Oprah Daily's 20 Favorite Books of 2021 Selected as one of Pitchfork's Best Music Books of the YearOne of the best books of its kind in decades. The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a careers worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular musicas an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isnt transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 7,32
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Aggiungi al carrelloPaperback. Condizione: New. Paperback. Publisher overstock, may contain remainder mark on edge.
Editore: Penguin Random House
ISBN 10: 0525559612 ISBN 13: 9780525559610
Da: INDOO, Avenel, NJ, U.S.A.
EUR 16,61
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Aggiungi al carrelloCondizione: New. Brand New.