ISBN: 9780648426547 - platform papers 61: criticism, performance and the need for conversation (3 risultati)

Perfeziona la tua ricerca

  • Libri (3)

  • Nuovo (3)

a

Fascia di prezzo personalizzata (EUR)

a

  • Lingua: Inglese

    Editore: Currency Press Pty Ltd, Paddington, 2019

    0648426548 / 9780648426547

    • Brossura

    Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 18,27

     Spedizione gratuita 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Paperback. Condizione: new. Paperback. In this paper Alison Croggon, one of Australias most insightful cultural critics, looks back from the days when the daily broadsheet newspapers were unrivalled in authority, to the collapse of the print media and opening of a free market for digital public opinion. The dramatic downsizing of the Fairfax empires Sydney Morning Herald and The Age hit arts journalism badly and coincided with the rise of arts-oriented websites across Australia.Croggon sees the demise of the old criticism as a loss of power and received wisdom but also an opportunity to engage artists, critics and audiences in conversations of global collaboration and reference. With this breakdown of institutional criticism, which, she says, had latterly focussed on art as a commodity, came the opportunity rethink our assumptions about what critical responses to art might be. It has offered a chance to open the door to new ways of thinking, a way of enriching both the communities around art and the process of making art itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Lingua: Inglese

    Editore: Currency House, Sydney, 2019

    0648426548 / 9780648426547

    • Brossura

    Da: Readership, Burwood, NSW, AustraliaReadership

    Venditore con 4 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 12,48

    EUR 16,56 spedizione 
    Spedito da Australia a U.S.A.

    Quantità: 5 disponibili

    Paperback. Condizione: New. In this paper Alison Croggon, one of Australia's most insightful cultural critics, looks back from the days when the daily broadsheet newspapers were unrivalled in authority, to the collapse of the print media and opening of a free market for digital public opinion. The dramatic downsizing of the Fairfax empire's Sydney Morning Herald and The Age hit arts journalism badly and coincided with the rise of arts-oriented websites across Australia. Croggon sees the demise of the old criticism as a loss of power and received wisdom but also an opportunity to engage artists, critics and audiences in conversations of global collaboration and reference. With this breakdown of institutional criticism, which, she says, had latterly focussed on art as a commodity, came the opportunity rethink our assumptions about what critical responses to art might be. It has offered a chance to open the door to new ways of thinking, a way of enriching both the communities around art and the process of making art itself.…

  • Lingua: Inglese

    Editore: Currency Press Pty Ltd, Paddington, 2019

    0648426548 / 9780648426547

    • Brossura

    Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 18,34

    EUR 33,13 spedizione 
    Spedito da Australia a U.S.A.

    Quantità: 1 disponibile

    Paperback. Condizione: new. Paperback. In this paper Alison Croggon, one of Australias most insightful cultural critics, looks back from the days when the daily broadsheet newspapers were unrivalled in authority, to the collapse of the print media and opening of a free market for digital public opinion. The dramatic downsizing of the Fairfax empires Sydney Morning Herald and The Age hit arts journalism badly and coincided with the rise of arts-oriented websites across Australia.Croggon sees the demise of the old criticism as a loss of power and received wisdom but also an opportunity to engage artists, critics and audiences in conversations of global collaboration and reference. With this breakdown of institutional criticism, which, she says, had latterly focussed on art as a commodity, came the opportunity rethink our assumptions about what critical responses to art might be. It has offered a chance to open the door to new ways of thinking, a way of enriching both the communities around art and the process of making art itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…