9780674007864 - the appropriation of cultural capital: china’s may fourth project: china’s may fourth project (14 risultati)

Lingua: Inglese
Editore: Harvard University Asia Center / Harvard University Press, Cambridge, 2001
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Da: Dale A. Sorenson, Silver Spring, MD, U.S.A.Dale A. Sorenson
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Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. Cambridge: Harvard University Asia Center, Harvard University Press, 2001. First Edition, First Printing. Large 8vo. xv,348pp, Index, Works Cited. Hardcover. Fine condition in fine dj. Eight studies re-examine the assertion that the May F…ourth movement of 1919 was a Chinese renaissance or enlightenment. ISBN 0674007867; Large 8vo 9" - 10" tall; 348 pages.

Lingua: Inglese
Editore: Harvard University, Asia Center, Cambridge, Mass, 2002
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Hardcover. Condizione: new. Hardcover. For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives,…the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China's literary past. The authors of this volume seek to approach the May Fourth movement of 1919 from novel perspectives and contribute to the ongoing critique of the movement. The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardback. Condizione: New. For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors…of the eight studies in this volume seek to contribute to the ongoing critique of the movement.The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China's literary past.

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Condizione: New. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. Editor(s): Dolezelova-Velingerova, Milena; Kral, Oldrich. Series: Harvard East Asian Monographs. Num Pages: 374 pages, illustrations. BIC Classification:…1FPC; 2GDC; JFC; JPA; JPH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 168 x 29. Weight in Grams: 688. . 2002. Hardcover. . . . .

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Condizione: New. pp. xv + 348.

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Condizione: New. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. Editor(s): Dolezelova-Velingerova, Milena; Kral, Oldrich. Series: Harvard East Asian Monographs. Num Pages: 374 pages, illustrations. BIC Classification:…1FPC; 2GDC; JFC; JPA; JPH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 168 x 29. Weight in Grams: 688. . 2002. Hardcover. . . . . Books ship from the US and Ireland.

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The Appropriation of Cultural Capital: China's May Fourth Project (Harvard East Asian Monographs)
Dolezelova-Velingerova, Milena (Editor)/ Kral, Oldrich (Editor)/ Sanders, Graham Martin (Editor)
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Hardcover. Condizione: Brand New. 348 pages. 9.00x6.10x1.00 inches. In Stock.

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Condizione: New. pp. xv + 348.

Lingua: Inglese
Editore: Harvard University, Asia Center, Cambridge, Mass, 2002
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Hardcover. Condizione: new. Hardcover. For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives,…the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement. The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China's literary past. The authors of this volume seek to approach the May Fourth movement of 1919 from novel perspectives and contribute to the ongoing critique of the movement. The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Hardback. Condizione: New. For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors…of the eight studies in this volume seek to contribute to the ongoing critique of the movement.The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China's literary past.