Isbn: 9780674010925 - fu shan's world: the transformation of chinese calligraphy in the seventeenth century (24 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardbound in dust jacket.

Hardcover. Condizione: Near Fine. Near Fine Plus. First Edition. hardcover in dust jacket., short edge-tear to second front free endpaper. no other flaws, clean, tightly bound, no writing or markings.; 338pp., xxiipp. preliminaries., 162 illustrations, 1 map.; detailed work on 17th century chinese master calligrapher, fu shan.; harvard east asian monograph 220. Size: 4to - over 9¾" - 12" tall.…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hard cover. Condizione: Very good. No jacket. Cloth. Quarto, 338 pages, illustrated. Bottom edge of spine is lightly bumped and spine is shaken, but binding is secure. Inside is clean and unmarked.

2003, 400pp, Gebonden met stofomslag, als nieuw. Please see description or ask for photos.

Hardback. Condizione: New. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303-361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy.Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303-361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303-361). But the emergence in the 17th century of a style modeled on the rough, broken epigraphs of ancient artifacts led to the formation of the stele school. Eminent calligrapher and art theorist Fu Shan (1607-1685) was a dominant force in this school. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: new.

Condizione: New. A dominant force in the stele school of caligraphy was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, the author of this work examines his influence as an ideal prism through which to view the transformation in calligraphy. Series: Harvard East Asian Monographs. Num Pages: 400 pages, 161 illustrations. BIC Classification: 1FPC; 3JD; WFU. Category: (P) Professional & Vocational. Dimension: 286 x 225 x 32. Weight in Grams: 1186. . 2003. Hardback. . . . .…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. xxii + 338 Maps.

Condizione: New. A dominant force in the stele school of caligraphy was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, the author of this work examines his influence as an ideal prism through which to view the transformation in calligraphy. Series: Harvard East Asian Monographs. Num Pages: 400 pages, 161 illustrations. BIC Classification: 1FPC; 3JD; WFU. Category: (P) Professional & Vocational. Dimension: 286 x 225 x 32. Weight in Grams: 1186. . 2003. Hardback. . . . . Books ship from the US and Ireland.…

Condizione: New. In English.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303-361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303-361). But the emergence in the 17th century of a style modeled on the rough, broken epigraphs of ancient artifacts led to the formation of the stele school. Eminent calligrapher and art theorist Fu Shan (1607-1685) was a dominant force in this school. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condizione: Brand New. 368 pages. 11.00x9.00x1.25 inches. In Stock.

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: New. pp. xxii + 338, Maps.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardback. Condizione: New. For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303-361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607-1685). Because his work spans the late Ming-early Qing divide, it is an ideal prism through which to view the transformation in calligraphy.Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.…