9780674013568 - Bach and the Patterns of Invention di Dreyfus, Laurence (23 risultati)

Condizione: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!

Soft cover. Condizione: Near Fine.

paperback. Condizione: Very Good. very clean softcover. no marks. clean text. solid binding. very light cover corner wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Soft cover. Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics."Invention"-the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition-emerges as an invaluable key in Dreyfus's analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach's working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach's unusual appropriations of French and Italian styles-and about the elevation of various genres far above their conventional status.Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics."Invention"--the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition--emerges as an invaluable key in Dreyfus's analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach's working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach's unusual appropriations of French and Italian styles--and about the elevation of various genres far above their conventional status.Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, this book explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics. Includes 73 musical examples. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: new.

Condizione: New. 2004. Paperback. In this new interpretation of the music of J.S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music 'against the grain' of contemporaries such as Vivaldi and Telemann, Dreyfus explains how Bach's approach to musical invention in a variety of genres. Num Pages: 288 pages, 6 halftones, 5 line illustrations, 73 musical examples, 15 tables. BIC Classification: AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 251 x 175 x 18. Weight in Grams: 506. . . . . .

Condizione: New. pp. 288.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2004. Paperback. In this new interpretation of the music of J.S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music 'against the grain' of contemporaries such as Vivaldi and Telemann, Dreyfus explains how Bach's approach to musical invention in a variety of genres. Num Pages: 288 pages, 6 halftones, 5 line illustrations, 73 musical examples, 15 tables. BIC Classification: AVGC3; AVH. Category: (P) Professional & Vocational. Dimension: 251 x 175 x 18. Weight in Grams: 506. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. 270 pages. 10.00x6.75x7.50 inches. In Stock.

Condizione: New. pp. 288.

Condizione: New. Satisfaction Guaranteed or your money back.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: new. Paperback. In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics."Invention"--the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition--emerges as an invaluable key in Dreyfus's analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach's working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach's unusual appropriations of French and Italian styles--and about the elevation of various genres far above their conventional status.Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, this book explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics. Includes 73 musical examples. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach's music "against the grain" of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach's approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics."Invention"-the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition-emerges as an invaluable key in Dreyfus's analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach's working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach's unusual appropriations of French and Italian styles-and about the elevation of various genres far above their conventional status.Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today.