Isbn: 9780674016170 - analog days : the invention and impact of the moog synthesizer (34 risultati)

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

    0674016173 / 9780674016170

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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    Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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    Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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    Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, Cambridge, Mass, 2004

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    Paperback. Condizione: new. Paperback. Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history. Tracing the development of the Moog synthesizer from its conception to its stardom, from its contribution to the San Francisco psychedelic sound, to its adoption by film and advertising, this book conveys the excitement, uncertainties, and consequences of a technology that would provide the soundtrack for a critical chapter of our cultural history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Lingua: Inglese

    Editore: Harvard University Press, US, 2004

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    Paperback. Condizione: New. Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

    0674016173 / 9780674016170

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

    0674016173 / 9780674016170

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  • Lingua: Inglese

    Editore: Harvard University Press, US, 2004

    0674016173 / 9780674016170

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    Paperback. Condizione: New. Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

    0674016173 / 9780674016170

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    Condizione: New. 2004. Paperback. Num Pages: 384 pages, 56 halftones. BIC Classification: AVRS. Category: (P) Professional & Vocational. Dimension: 211 x 191 x 24. Weight in Grams: 586. . . . . .

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press 2004-10-30, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard Univ Pr, 2004

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    Paperback. Condizione: Brand New. unknown edition. 384 pages. 8.00x7.25x0.75 inches. In Stock.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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    Condizione: New. 2004. Paperback. Num Pages: 384 pages, 56 halftones. BIC Classification: AVRS. Category: (P) Professional & Vocational. Dimension: 211 x 191 x 24. Weight in Grams: 586. . . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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  • Lingua: Inglese

    Editore: Harvard University Press, 2004

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    Condizione: New. pp. 384.

  • Lingua: Inglese

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  • Lingua: Inglese

    Editore: Harvard University Press, Cambridge, Mass, 2004

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    Paperback. Condizione: new. Paperback. Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history. Tracing the development of the Moog synthesizer from its conception to its stardom, from its contribution to the San Francisco psychedelic sound, to its adoption by film and advertising, this book conveys the excitement, uncertainties, and consequences of a technology that would provide the soundtrack for a critical chapter of our cultural history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Lingua: Inglese

    Editore: Harvard University Press, 2004

    0674016173 / 9780674016170

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  • Lingua: Inglese

    Editore: Harvard University Press, Cambridge, Mass, 2004

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    Paperback. Condizione: new. Paperback. Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history. Tracing the development of the Moog synthesizer from its conception to its stardom, from its contribution to the San Francisco psychedelic sound, to its adoption by film and advertising, this book conveys the excitement, uncertainties, and consequences of a technology that would provide the soundtrack for a critical chapter of our cultural history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Lingua: Inglese

    Editore: Harvard University Press, US, 2004

    0674016173 / 9780674016170

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    Paperback. Condizione: New. Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.