ISBN: 9780674049437 - book on music (19 risultati)

Hardcover. Condizione: Near Fine. Condition Notes: Text free of markings. Dust jacket included.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Between 1485 and 1492 Cardinal Ascanio Sforza was the recipient of a music treatise composed for him by "Florentius Musicus" (Florentius de Faxolis), who had served him in Naples and Rome. Now in Milan, the richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer taught by Duke Ercole d'Este. Florentius, whose treatise, found in no other source, is edited here for the first time, evidently took the cardinal's predilections into account, for the Book on Music is unusual for its emphasis on "the praises, power, utility, necessity, and effect of music": he devotes far more space to citations from classical and medieval authors than is the norm, and his elevated style shows that he aspires to appear as a humanist and not merely a technician. Likewise, the production quality of the manuscript indicates the acceptance of music's place within the high culture of the Quattrocento. The author's unusual insights into the musical thinking of his day are discussed in the ample commentary. The editors, a Renaissance musicologist (Bonnie Blackburn) and a classical scholar (Leofranc Holford-Strevens), have combined their disciplines to pay close attention both to Florentius' text and to his teachings.…

1st edition. 8vo. xxiv + 340pp. 1 coloured plate. In original cloth and light blue d/w. lettered in black. Very good. The I Tatti Renaisssance Library 43. ISBN 9780674049437 US$22.

Condizione: New. Between 1485 and 1492, Cardinal Ascanio Sforza was the recipient of a music treatise composed for him by 'Florentius Musicus' (Florentius de Faxolis), who had served him in Naples and Rome. Taking the cardinal's predilections into account, this book emphasises on the praises, power, utility, necessity, and effect of music. Series: The I Tatti Renaissance Library. Num Pages: 368 pages, 2 halftones, 163 music examples. BIC Classification: AVC; AVGC2. Category: (G) General (US: Trade). Dimension: 203 x 133 x 25. Weight in Grams: 499. . 2010. Hardcover. . . . . …

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. A Very Good Book in a Very Good Dust Jacket, Unclipped (Unpriced). Extremities are bumped and sunned. Text is clean and unmarked. Binding pulls very slightly. Dust Jacket is slightly scratched and bumped from shelf wear but otherwise no markings. Hardcover. Octavo. [xxiv], 2-340pp. Publisher's Blue Cloth Binding with Black and Gilt Inlay.…

Hardcover. Condizione: Brand New. 400 pages. 8.11x5.59x0.87 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Between 1485 and 1492, Cardinal Ascanio Sforza was the recipient of a music treatise composed for him by 'Florentius Musicus' (Florentius de Faxolis), who had served him in Naples and Rome. Taking the cardinal's predilections into account, this book emphasises on the praises, power, utility, necessity, and effect of music. Series: The I Tatti Renaissance Library. Num Pages: 368 pages, 2 halftones, 163 music examples. BIC Classification: AVC; AVGC2. Category: (G) General (US: Trade). Dimension: 203 x 133 x 25. Weight in Grams: 499. . 2010. Hardcover. . . . . Books ship from the US and Ireland. …

Condizione: New. In English.

Buch. Condizione: Neu. Neuware.

Condizione: New. Edited here for the first time is Florentius de Faxolis music treatise for Cardinal Ascanio Sforza. The richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer. The author s unusual insights i.

Hardback. Condizione: New. Between 1485 and 1492 Cardinal Ascanio Sforza was the recipient of a music treatise composed for him by "Florentius Musicus" (Florentius de Faxolis), who had served him in Naples and Rome. Now in Milan, the richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer taught by Duke Ercole d'Este. Florentius, whose treatise, found in no other source, is edited here for the first time, evidently took the cardinal's predilections into account, for the Book on Music is unusual for its emphasis on "the praises, power, utility, necessity, and effect of music": he devotes far more space to citations from classical and medieval authors than is the norm, and his elevated style shows that he aspires to appear as a humanist and not merely a technician. Likewise, the production quality of the manuscript indicates the acceptance of music's place within the high culture of the Quattrocento. The author's unusual insights into the musical thinking of his day are discussed in the ample commentary. The editors, a Renaissance musicologist (Bonnie Blackburn) and a classical scholar (Leofranc Holford-Strevens), have combined their disciplines to pay close attention both to Florentius' text and to his teachings.…

Hardcover. Condizione: New. I Tatti Renaissance Library; Between 1485 and 1492 Cardinal Ascanio Sforza was the recipient of a music treatise composed for him by âFlorentius Musicusâ (Florentius de Faxolis), who had served him in Naples and Rome. Now in Milan, the richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer taught by Duke Ercole dâEste. Florentius, whose treatise, found in no other source, is edited here for the first time, evidently took the cardinalâs predilections into account, for the Book on Music is unusual for its emphasis on âthe praises, power, utility, necessity, and effect of musicâ: he devotes far more space to citations from classical and medieval authors than is the norm, and his elevated style shows that he aspires to appear as a humanist and not merely a technician. Likewise, the production quality of the manuscript indicates the acceptance of musicâs place within the high culture of the Quattrocento. The authorâs unusual insights into the musical thinking of his day are discussed in the ample commentary. The editors, a Renaissance musicologist (Bonnie Blackburn) and a classical scholar (Leofranc Holford-Strevens), have combined their disciplines to pay close attention both to Florentiusâ text and to his teachings.…