Isbn: 9780674053335 - hyperboles: the rhetoric of excess in baroque literature and thought (20 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Gongora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condizione: New. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Góngora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher D. Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New. Offers a comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, this title reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Series: Harvard Studies in Comparative Literature. Num Pages: 695 pages, frontispiece. BIC Classification: DSB. Category: (G) General (US: Trade). Dimension: 231 x 157 x 35. Weight in Grams: 980. . 2010. Paperback. . . . .…

Condizione: New. pp. 695.

Condizione: New. Offers a comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, this title reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Series: Harvard Studies in Comparative Literature. Num Pages: 695 pages, frontispiece. BIC Classification: DSB. Category: (G) General (US: Trade). Dimension: 231 x 157 x 35. Weight in Grams: 980. . 2010. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 695 pages. 9.25x6.25x1.50 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. In English.

Condizione: New. pp. 695.

Paperback. Condizione: new. Paperback. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Gongora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric, English drama, and French philosophy, Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condizione: New. This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Góngora, Quevedo, and Sor Juana), English drama (King Lear and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher D. Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his readings of hyperbole in the history of rhetoric and literary imitation, Johnson traces how rhetorical excess acquires specific cultural, political, aesthetic, and epistemological value. Hyperboles also engages more recent critiques of hyperbolic thought (Wittgenstein, Derrida, and Cavell), as it argues that hyperbole is the primary engine of a poetics and metaphysics of immanence. …