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Aggiungi al carrelloPaperback. Condizione: New. Comparative Literature and Classical Persian Poetics applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. Olga M. Davidson focuses on epic, especially the classical epic Shahnama, composed in the early eleventh century CE by the poet Ferdowsi, and on the relationship of this epic to other genres that are found embedded in it. Included among these other genres are forms of verbal art that were originally composed without the aid of writing, such as women's laments. Davidson explores the many ways in which the epic Shahnama incorporates oral poetic traditions in general. Surveying the current state of the art in oral poetic studies, she concentrates on applications of these studies to classical Persian prose as well as poetry. Of special interest is her critical analysis of both modern and ancient claims about the turning of prose into poetry. This second edition of the book contains an added chapter about "live" performances of the epic Shahnama.
Lingua: Inglese
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ISBN 10: 0674073207 ISBN 13: 9780674073203
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Paperback. Condizione: new. Paperback. Comparative Literature and Classical Persian Poetics applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. Olga M. Davidson focuses on epic, especially the classical epic Shahnama, composed in the early eleventh century ce by the poet Ferdowsi, and on the relationship of this epic to other genres that are found embedded in it. Included among these other genres are forms of verbal art that were originally composed without the aid of writing, such as women's laments. Davidson explores the many ways in which the epic Shahnama incorporates oral poetic traditions in general. Surveying the current state of the art in oral poetic studies, she concentrates on applications of these studies to classical Persian prose as well as poetry. Of special interest is her critical analysis of both modern and ancient claims about the turning of prose into poetry. This second edition of the book contains an added chapter about "live" performances of the epic Shahnama. Olga M. Davidson applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. She focuses on the eleventh-century CE epic Shahnama and its relationship to other genres embedded in it, including forms of verbal art originally composed without the aid of writing, such as womens laments. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloCondizione: New. Olga M. Davidson applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. She focuses on the eleventh-century ce epic Shahnama and its relationship to other genres embedded in it, including forms of verbal art originally composed without the aid of writing, such as women's laments. Series: Ilex Series. Num Pages: 200 pages. BIC Classification: 2BXF; DSBB; DSC. Category: (G) General (US: Trade). Dimension: 228 x 162 x 9. Weight in Grams: 238. . 2013. New edition. Paperback. . . . .
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Aggiungi al carrelloCondizione: New. Olga M. Davidson applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. She focuses on the eleventh-century ce epic Shahnama and its relationship to other genres embedded in it, including forms of verbal art originally composed without the aid of writing, such as women's laments. Series: Ilex Series. Num Pages: 200 pages. BIC Classification: 2BXF; DSBB; DSC. Category: (G) General (US: Trade). Dimension: 228 x 162 x 9. Weight in Grams: 238. . 2013. New edition. Paperback. . . . . Books ship from the US and Ireland.
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Comparative Literature and Classical Persian Poetics applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. Olga M. Davidson focuses on epic, especially the classical epic Shahnama, composed in the early eleventh century ce by the poet Ferdowsi, and on the relationship of this epic to other genres that are found embedded in it. Included among these other genres are forms of verbal art that were originally composed without the aid of writing, such as women's laments. Davidson explores the many ways in which the epic Shahnama incorporates oral poetic traditions in general. Surveying the current state of the art in oral poetic studies, she concentrates on applications of these studies to classical Persian prose as well as poetry. Of special interest is her critical analysis of both modern and ancient claims about the turning of prose into poetry. This second edition of the book contains an added chapter about "live" performances of the epic Shahnama. Olga M. Davidson applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. She focuses on the eleventh-century CE epic Shahnama and its relationship to other genres embedded in it, including forms of verbal art originally composed without the aid of writing, such as womens laments. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Harvard University, Center for Hellenic Studies, US, 2013
ISBN 10: 0674073207 ISBN 13: 9780674073203
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Aggiungi al carrelloPaperback. Condizione: New. Comparative Literature and Classical Persian Poetics applies comparative literary approaches to classical Persian traditions of composing and performing poetry and song. Olga M. Davidson focuses on epic, especially the classical epic Shahnama, composed in the early eleventh century CE by the poet Ferdowsi, and on the relationship of this epic to other genres that are found embedded in it. Included among these other genres are forms of verbal art that were originally composed without the aid of writing, such as women's laments. Davidson explores the many ways in which the epic Shahnama incorporates oral poetic traditions in general. Surveying the current state of the art in oral poetic studies, she concentrates on applications of these studies to classical Persian prose as well as poetry. Of special interest is her critical analysis of both modern and ancient claims about the turning of prose into poetry. This second edition of the book contains an added chapter about "live" performances of the epic Shahnama.