Isbn: 9780674073265 - the real modern: literary modernism and the crisis of representation in colonial korea (20 risultati)

Hardcover. Condizione: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: new. Hardcover. The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a "crisis of representation" stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule.Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circles-Pak T'aewon, Kim Yujong, and Yi T'aejun-whose works confront this crisis by critiquing the concept of transparent or "empiricist" language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics.The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts. The Real Modern examines three Korean authors of the 1930sPak Taewon, Kim Yujong, and Yi Taejunwhose works critique competing modes of literary representation in the period of Japanese colonial rule. A re-reading of modernist fiction within the imperial context, it sheds new light on the relationship between political discourse and aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Hardback. Condizione: New. The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a "crisis of representation" stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule.Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circles-Pak T'aewon, Kim Yujong, and Yi T'aejun-whose works confront this crisis by critiquing the concept of transparent or "empiricist" language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics.The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New. Examines three Korean authors of the 1930s - Pak T'aewon, Kim Yujong, and Yi T'aejun - whose works critique competing modes of literary representation in the period of Japanese colonial rule. This title focuses on the relationship between political discourse and aesthetics. Series: Harvard East Asian Monographs. Num Pages: 300 pages. BIC Classification: 2GK; DSBH; HBJF; HBLW. Category: (G) General (US: Trade). Dimension: 233 x 164 x 21. Weight in Grams: 512. . 2013. 1st Edition. Hardcover. . . . . …

Condizione: New. pp. 248.

Condizione: New. pp. 248.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Examines three Korean authors of the 1930s - Pak T'aewon, Kim Yujong, and Yi T'aejun - whose works critique competing modes of literary representation in the period of Japanese colonial rule. This title focuses on the relationship between political discourse and aesthetics. Series: Harvard East Asian Monographs. Num Pages: 300 pages. BIC Classification: 2GK; DSBH; HBJF; HBLW. Category: (G) General (US: Trade). Dimension: 233 x 164 x 21. Weight in Grams: 512. . 2013. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. …

Condizione: New. In English.

Hardcover. Condizione: Brand New. 1st edition. 235 pages. 9.00x6.00x1.00 inches. In Stock.

Hardcover. Condizione: new. Hardcover. The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a "crisis of representation" stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule.Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circles-Pak T'aewon, Kim Yujong, and Yi T'aejun-whose works confront this crisis by critiquing the concept of transparent or "empiricist" language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics.The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts. The Real Modern examines three Korean authors of the 1930sPak Taewon, Kim Yujong, and Yi Taejunwhose works critique competing modes of literary representation in the period of Japanese colonial rule. A re-reading of modernist fiction within the imperial context, it sheds new light on the relationship between political discourse and aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condizione: New. The contentious relationship between modernism and realism has powerfully influenced literary history throughout the twentieth century and into the present. In 1930s Korea, at a formative moment in these debates, a "crisis of representation" stemming from the loss of faith in language as a vehicle of meaningful reference to the world became a central concern of literary modernists as they operated under Japanese colonial rule.Christopher P. Hanscom examines the critical and literary production of three prose authors central to 1930s literary circles-Pak T'aewon, Kim Yujong, and Yi T'aejun-whose works confront this crisis by critiquing the concept of transparent or "empiricist" language that formed the basis for both a nationalist literary movement and the legitimizing discourse of assimilatory colonization. Bridging literary and colonial studies, this re-reading of modernist fiction within the imperial context illuminates links between literary practice and colonial discourse and questions anew the relationship between aesthetics and politics.The Real Modern challenges Eurocentric and nativist perspectives on the derivative particularity of non-Western literatures, opens global modernist studies to the similarities and differences of the colonial Korean case, and argues for decolonization of the ways in which non-Western literatures are read in both local and global contexts.…

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.