Tipo di articolo
Condizioni
Legatura
Ulteriori caratteristiche
Paese del venditore
Valutazione venditore
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: BMV Bloor, Toronto, ON, Canada
Libro
Condizione: Very Good. Used - Very Good Hardcover with dust-jacket. No notes or highlights.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: GF Books, Inc., Hawthorne, CA, U.S.A.
Libro
Condizione: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Book Deals, Tucson, AZ, U.S.A.
Libro
Condizione: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any).
Editore: Princeton University Press, Princeton, NJ, USA, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Companion Books, Burnaby, BC, Canada
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. The book and jacket are in very good condition, little shelf rubbing apparent. Text inside appears clean and clear throughout. 'When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.' xv+233 pages. 9.5 x 6.4 inches. May require additional postage. This listing was made by a small independent book shop. We carefully inspect every single book we list and give accurate descriptions. If you require we will promptly send pictures of listed books upon request. Size: 8vo - over 7¾ - 9¾" tall. Book.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: The Compleat Scholar, Rochester, NY, U.S.A.
Libro
Hardcover. Condizione: As New. Hardcover with jacket. New book showing minor shelfwear. Never read, pages are unmarked.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Zap Books, Van Nuys, CA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Good. 1st Edition. Packed in a BOX with cardboard backing and padding. (See Photos!) Pages: not written on, clean, bright, odor free. Dust Jacket: clean, bright, bumping to edges, crease at bottom corner of front inner flap and across back top near edge. Same or next day shipping (weekdays and Saturdays)! Ships from California. ABOUT THIS: When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Editore: Princeton University Press, New Jersey, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. First edition. 233pp. Pen underlining and marginalia on a few pages, else very good in fine dust jacket.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Book Deals, Tucson, AZ, U.S.A.
Libro
Condizione: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Hardcover. Condizione: very good. Very Good Copy. Customer Service Guaranteed.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Books of the Smoky Mountains, Del Rio, TN, U.S.A.
Libro
Condizione: very good. Slightly Used Copy.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Byrd Books, Austin, TX, U.S.A.
Libro
Hardcover. Condizione: very good. In Used Condition.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Hardcover. Condizione: very good. Used.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Libro
Hardcover. Condizione: new. New. Fast Shipping and good customer service.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: GoldBooks, Denver, CO, U.S.A.
Libro
Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Front Cover Books, Denver, CO, U.S.A.
Libro
Condizione: new.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Wizard Books, Long Beach, CA, U.S.A.
Libro
Hardcover. Condizione: new. New.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: The Book Spot, Sioux Falls, SD, U.S.A.
Libro
Hardcover. Condizione: New.
Editore: Princeton University Press, 2006
ISBN 10: 0691121095ISBN 13: 9780691121093
Da: Save With Sam, North Miami, FL, U.S.A.
Libro
Hardcover. Condizione: New. Brand New!.