9780713437560 - Michael Angelo Rooker 1746-1801 di Conner, Patrick (17 risultati)

Hardback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

First Edition. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description; 189 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm. Subjects; Rooker, Michael Angelo 1746-1801 watercolour painter and scene designer. Rooker, Michael Angelo 1746-1801. Rooker, Michael Angelo 1746-1801 Criticism and interpretation. Rooker, Michael Angelo Studies. 3 Kg.

First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Previous owner's bookplate. Physical description; 189 p., [8] p. of col. plates : ill. ; 26 cm. Subjects; Rooker, Michael Angelo Studies. Victoria and Albert Museum. Prints, Drawings and Paintings Department Catalogs. Painting, Modern 17th-18th centuries England. 3 Kg.

Condizione: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. B T Batsford, London, 1984. Hard cover. Book condition : Very good, clean text, appears little read. Superb illustrations. Bookplate inside cover. Book will be sent by UK postal service. Inventory JT021602.

Soft cover. Condizione: Very Good. 1st Edition. 1st edition softback, 1984. Original pictorial wrappers uniformly spine sunned. Pages very clean & tight. No inscriptions. 105 illustrations. 189 pages.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. 200 pages, with 94 b&w and 11 illustrations in color. "In this, this first book devoted to the work of Michael Angelo Rooker, one of the earliest and most meticulous British watercolour artists, the author offers a critical and biographical study, followed by a catalogue of the artist's work in the Victoria & Albert Museum." FINE HARDCOVER, FINE DUST JACKET. Size: 8vo - over 7¾" - 9¾" tall.

First Edition. Fine cloth copy in an equally fine dust-wrapper, now mylar-sleeved. Particularly well-preserved overall; tight, bright, clean and strong. Physical description; 189 pages, 8 unnumbered pages of plates : illustrations (some color) ; 26 cm. Subjects; Rooker, Michael Angelo 1746-1801 watercolour painter and scene designer. Rooker, Michael Angelo 1746-1801. Rooker, Michael Angelo 1746-1801 Criticism and interpretation. Rooker, Michael Angelo Studies. 1 Kg.

First Edition. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Previous owner's bookplate. Physical description; 189 p., [8] p. of col. plates : ill. ; 26 cm. Subjects; Rooker, Michael Angelo Studies. Victoria and Albert Museum. Prints, Drawings and Paintings Department Catalogs. Painting, Modern 17th-18th centuries England. 1 Kg.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Grey boards with clipped jacket; Contents are clean & unmarked with slight touch of agetoning along edges; Jacket has a small nick near spine and slight edge creasing but no chips/tears; A book dedicated to one of the earliest British watercolour artists; Illust. by b/w photos throughout & colour plate section, some full page; 189 pages with index.

Hardcover. Condizione: Very Good. From the Library of John Russell Taylor.

hardcover. Condizione: Very Good.

FIRST EDITION. A FINE COPY IN A FINE DUSTWRAP. VERY WELL ILLUSTRATED. UNCOMMON IN HARDBACK.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. This copy is in new, unmarked condition bound in grey cloth covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The price clipped dust wrapper is in new condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. Michael Angelo Rooker ARA (1746 or 1743 - 3 March 1801) was an English oil and watercolour painter of architecture and landscapes, illustrator and engraver. He was also the principal scene painter at the Haymarket Theatre. In 1765 he exhibited some 'stained' drawings at the exhibition in Spring Gardens, London and in 1768 a print by him of the 'Villa Adriana' (after Richard Wilson), was published. In 1770 he was elected an Associate of the Royal Academy. In 1772 he exhibited a painting of Temple Bar, and he contributed some illustrations to an edition of Sterne, published that year. Most of the landscapes in Kearsley's Copperplate Magazine (1776-1777) were engraved by him, as well as a few plates in its successor, 'The Virtuosi's Museum', and he both drew and engraved the headings of the Oxford Almanack for several years, for each of which he received 50 pounds. For a long time he was chief scene-painter at the Haymarket Theatre in London, and appeared in the playbills as Signer Rookerini; but a few years before his death he was discharged, in consequence, it is said, of his refusal to aid in paying the debts of Colman, the manager. In 1788 he began to make autumnal tours in the country, to which we owe most of those drawings which entitle him to an honourable place among the founders of the watercolour school. They are chiefly of architectural remains in Norfolk, Suffolk, Somerset, Warwickshire, and other counties, which he drew well, and treated with taste and refinement. His figures and animals were artistically introduced. Ref LLL 5.