Isbn: 9780713439540 - glass engraving: lettering and design (9 risultati)

Hardcover. Condizione: Very Good. Glass Engraving: Lettering and Design This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

hardcover. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Hardcover. Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Hardback. Condizione: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. hardback, a very good tightly bound copy in a well preserved pictorial dust wrapper that has faded to spine, illustrated throughout, 168pp.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. B. T. Batsford, Published 1985. Hardcover, 168 pp.; 26 cm; First Edition; introduction by Jim Ede; 147 black-and-white photographs and 58 line illustrations; index. Inscribed and signed by David Peace on half-title (recipient's first name, then signature). In Very Good condition with a Very Good dust jacket. Black cloth with gilt lettering on spine, light bumping and scuffing to edges of covers, mild shelf wear. Binding tight. Previous owner's printed address label on front free endpaper; light scattered foxing to endpapers. Pages clean and unmarked. Pictorial dust jacket (engraved goblets and decanter against red, designed by the author, photograph by John Edward Leigh; the author at his bench on rear panel) with rubbing and light scuffing, a few small nicks and light creasing along edges, rear panel toned. Now in an archival quality (removable) Brodart cover. The engraver's own account of lettering on glass, from the 722 BC Sargon vessel in the British Museum and the Roman cage-cups through Verzelini, the Dutch calligraphic engravers, and Laurence Whistler, to his own method: paint the glass, set out in pencil, score with a toothpick, cut with a diamond point. Chapters on letter form, the flourish, monograms, in situ engraving of windows and screens, presentation glass and heraldry, engraved church windows (Castle Bromwich, St. Merryn, the Pleiades window), a digression into stone, and the lettering of other engravers. Includes his early debt to Eric Gill and the Golden Cockerel Four Gospels. Peace (1915-2003), a county planning officer by day and MBE for that work, was one of the revivers of diamond-point engraving in Britain in the 1930s, first chairman of the Guild of Glass Engravers in 1975, and later compiler of the descriptive catalogue of Gill's inscriptions; his glass is in the Victoria and Albert Museum, Westminster Abbey, and Kettle's Yard. Contents: Introduction by Jim Ede; Acknowledgements; Preface; Themes and Influences; Lettering on Glass; Glass Engraving: Technique and Design; Glass Engraving: Design Principles Evolving; Engraved Windows: Principles and Practice; A Digression into Stone; Lettering by Other Glass Engravers; Epilogue: The Practice of a Craft; Index.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good+. First Edition. Signed by Author.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. This copy is in new, immaculate, unmarked condition bound in black buckram covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The unclipped dust wrapper is in new condition, it has been covered in clear, removable mylar protective film. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. David Peace was one of England's foremost glass engravers and here he examines the history of letter forms and techniques of glass engraving. He covers many new aspects of lettering from design principles. Goblets, bowls and decanters are analyzed in detail, together with examples of architectural glass, in situ engraving and sandblasting for large-scale work. Stress is laid on design in relation to its site. Presentation glass, heraldry, trophies and windows are all dealt with and a chapter is devoted to the work of many present-day master craftsmen. The book also throws new light on Eric Gill's lettering and shows his influence on the author's work. Laid in is an obituary of the author from the Independent February 24th 2003. Ref A6 3.…