ISBN: 9780719055454 - sacred distance: representing the virgin (4 risultati)

Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Lightly crimped corner, otherwise text clean and solid; light wear to dust jacket; 8vo 8" - 9" tall; 256 pages.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0719055458.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2006 Manchester University Press hardcover edition. Light reading wear else very good condition. From the cover: This fascinating and groundbreaking book explores the way in which the canonical image of the Virgin Mary developed out of the Italian Renaissance. Faced with the naturalistic effects of pictorial space and light, the Church had to ensure the distinction of Mary as being both the human mother of Christ and a doctrinal symbol in her own right. The intentions of patrons, artistic practice and operating circumstances all contributed to mark out this duality, and create the 'sacred distance' of Mary from the rest of humankind. Marian iconography has its own history, and the introduction discusses the visual tradition of the middle ages which shaped Marian iconography at the beginning of the 14th century. The book then deals with the doctrinal issues relating to the Virgin: Mary as Theotokos, Mary Annunciate, Mary as Queen of Heaven and Mary as the Immaculate Conception. A concluding chapter discusses the power of this image as a visual symbol. The book therefore discusses the various possible interpretations of Marian iconography in an attempt to understand an image, and the dangers of making assumptions about artistic intention and audience response. It should be of interest to anyone who is curious about the life of an image and its inherent power.…