9780719085307 - performance in a time of terror: critical mimesis and the age of uncertainty di hughes, jenny (35 risultati)

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Paperback. Condizione: Very Good. Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty (Theatre: Theory, Practice, Performance) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine r…emains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

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Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780719085307.

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Da: Anybook.com, Lincoln, Regno UnitoAnybook.com
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Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780719085307.

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Paperback. Condizione: New. Performance in a time of terror offers a thought-provoking investigation of the way performance has given shape and form to wars on terror past and present, as both a tactic of violence and a strategy of resistance.The book focuses on an array of performances created during the 'war on terror' of the…first decade of the twenty-first century. Beginning with the spate of carefully rehearsed beheadings carried out by Islamic insurgents in Iraq in 2004, a key proposal is that the radical in performance can be most clearly identified in acts of violence that have obliterated life. Here, the reader is also taken back in time to encounter how performance was employed as part of counterinsurgency operations during the 'war on terrorism' in Northern Ireland (1969-1998). Moving on to explore how theatre-makers and performance activists have used performance to generate habitable worlds for life in times of crisis, Hughes argues for a re-engagement with the conservative in the critical project of art-making. As part of this, original discussions of the resurgence of political theatre on London stages and the proliferation of performative anti-war activism during the war in Iraq (2003-2008), are provided. Also documented are an extraordinary series of theatre productions commissioned by counterterrorism agencies following the suicide attacks in the UK in 2005.Performance in a time of terror will appeal to researchers and students of contemporary theatre and performance, especially those interested in the politics of performance. It will also be of general interest to anyone researching wars on terror andterrorism from an interdisciplinary perspective.

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Paperback. Condizione: New.

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Condizione: New. pp. 256.

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Condizione: New. pp. 256 Illus.

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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condizione: New. Performance in a time of terror offers a thought-provoking investigation of the way performance has given shape and form to wars on terror past and present, as both a tactic of violence and a strategy of resistance.The book focuses on an array of performances created during the 'war on terror' of the…first decade of the twenty-first century. Beginning with the spate of carefully rehearsed beheadings carried out by Islamic insurgents in Iraq in 2004, a key proposal is that the radical in performance can be most clearly identified in acts of violence that have obliterated life. Here, the reader is also taken back in time to encounter how performance was employed as part of counterinsurgency operations during the 'war on terrorism' in Northern Ireland (1969-1998). Moving on to explore how theatre-makers and performance activists have used performance to generate habitable worlds for life in times of crisis, Hughes argues for a re-engagement with the conservative in the critical project of art-making. As part of this, original discussions of the resurgence of political theatre on London stages and the proliferation of performative anti-war activism during the war in Iraq (2003-2008), are provided. Also documented are an extraordinary series of theatre productions commissioned by counterterrorism agencies following the suicide attacks in the UK in 2005.Performance in a time of terror will appeal to researchers and students of contemporary theatre and performance, especially those interested in the politics of performance. It will also be of general interest to anyone researching wars on terror andterrorism from an interdisciplinary perspective.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Performance in a time of terror offers a thought-provoking investigation of the way performance has given shape and form to wars on terror past and present, as both a tactic of violence and a strategy of resistance.The book focuses on an array of performances created during the 'war on terr…or' of the first decade of the twenty-first century. Beginning with the spate of carefully rehearsed beheadings carried out by Islamic insurgents in Iraq in 2004, a key proposal is that the radical in performance can be most clearly identified in acts of violence that have obliterated life. Here, the reader is also taken back in time to encounter how performance was employed as part of counterinsurgency operations during the 'war on terrorism' in Northern Ireland (1969-1998). Moving on to explore how theatre-makers and performance activists have used performance to generate habitable worlds for life in times of crisis, Hughes argues for a re-engagement with the conservative in the critical project of art-making. As part of this, original discussions of the resurgence of political theatre on London stages and the proliferation of performative anti-war activism during the war in Iraq (2003-2008), are provided. Also documented are an extraordinary series of theatre productions commissioned by counterterrorism agencies following the suicide attacks in the UK in 2005.Performance in a time of terror will appeal to researchers and students of contemporary theatre and performance, especially those interested in the politics of performance. It will also be of general interest to anyone researching wars on terror andterrorism from an interdisciplinary perspective. -- . This book explores the ways in which performance has given shape and form to wars on terror past and present, focusing on examples of performed violence from Northern Ireland and Iraq. It also investigates how theatre-makers and performance activists have resisited violence in times of terror.a. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. pp. 256 Acknowledgements.

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Da: Romtrade Corp., STERLING HEIGHTS, MI, U.S.A.Romtrade Corp.
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Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

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Condizione: New. 2012. Illustrated. paperback. . . . . .

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Paperback. Condizione: Brand New. 1st edition. 256 pages. 8.43x5.35x0.79 inches. In Stock.

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Paperback. Condizione: New. Performance in a time of terror offers a thought-provoking investigation of the way performance has given shape and form to wars on terror past and present, as both a tactic of violence and a strategy of resistance.The book focuses on an array of performances created during the 'war on terror' of the…first decade of the twenty-first century. Beginning with the spate of carefully rehearsed beheadings carried out by Islamic insurgents in Iraq in 2004, a key proposal is that the radical in performance can be most clearly identified in acts of violence that have obliterated life. Here, the reader is also taken back in time to encounter how performance was employed as part of counterinsurgency operations during the 'war on terrorism' in Northern Ireland (1969-1998). Moving on to explore how theatre-makers and performance activists have used performance to generate habitable worlds for life in times of crisis, Hughes argues for a re-engagement with the conservative in the critical project of art-making. As part of this, original discussions of the resurgence of political theatre on London stages and the proliferation of performative anti-war activism during the war in Iraq (2003-2008), are provided. Also documented are an extraordinary series of theatre productions commissioned by counterterrorism agencies following the suicide attacks in the UK in 2005.Performance in a time of terror will appeal to researchers and students of contemporary theatre and performance, especially those interested in the politics of performance. It will also be of general interest to anyone researching wars on terror andterrorism from an interdisciplinary perspective.