9780719095917 - performative monuments: the rematerialisation of public art di widrich, mechtild (26 risultati)
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
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Da: Solr Books, Lincolnwood, IL, U.S.A.Solr Books
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Condizione: acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library.
Lingua: Inglese
Editore: Manchester University Press, Manchester, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out,… nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection. -- . Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by mak…ing self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condizione: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by mak…ing self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
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- Prima edizione
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. . 2014. 1st Edition. Paperback. . . . .
Lingua: Inglese
Editore: Manchester University Press 2014-05-31, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In.
Lingua: Inglese
Editore: Manchester University Press 2014-05-31, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. . 2014. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.
Lingua: Inglese
Editore: Manchester Univ Pr, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 256 pages. 9.25x6.25x0.75 inches. In Stock.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
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Condizione: NEW.
Altre immaginiLingua: Inglese
Editore: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by mak…ing self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: moluna, Greven, Germaniamoluna
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Condizione: New. Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. -- .Über den AutorrnrnMechtild Wi.
Lingua: Inglese
Editore: Manchester University Press, Manchester, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condizione: new. Paperback. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out,… nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection. -- . Argues the conceptual significance of performance, and of a performative model of art, to the revival of the monument in the wake of the Second World War, the Holocaust and the fall of the Eastern bloc. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Manchester University Press, GB, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the '80s, '90s and today? Not by selling out, nor by mak…ing self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument. The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
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Paperback. Condizione: New.
Lingua: Inglese
Editore: Manchester Univ Pr, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
- Print on Demand
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 256 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
- Print on Demand
Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New. Print on Demand pp. 256.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
- Print on Demand
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
- Print on Demand
Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND pp. 256.
Lingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
- Print on Demand
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book answers one of the most puzzling questions in contemporary art: how did performance artists of the '60s and '70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument bu…ilders of the '80s, '90s and today Not by selling out, nor by making self-undermining monuments. This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social. Specifically, the survival of body art in photographs that cross time and space to meet new audiences makes it literally into a monument.The argument of the book spans art in Austria, the former Yugoslavia, and Germany: Valie Export, Peter Weibel and the Viennese Actionists (working in Austria and abroad), Marina Abramovic, Sanja Ivecovic and Braco Dimitrijevic (working in Yugoslavia and abroad), and Joseph Beuys and Jochen Gerz (working in Germany and abroad). These artists began by critiquing monumentality in authoritarian public space, and expanded the models developed on the streets of Vienna, Munich, Rome, Belgrade and Zagreb to participatory monuments that delegate political authority to the audience.Readers interested in contemporary art, politics, photography and performance will find in this book new facts and arguments for their interconnection.
Altre immaginiLingua: Inglese
Editore: Manchester University Press, 2014
Serie: Rethinking Art's Histories, Libro 12 di 59. Libro 12 di 59 - Rethinking Art's Histories
- Brossura
- Print on Demand
Da: preigu, Osnabrück, Germaniapreigu
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EUR 68,95
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Taschenbuch. Condizione: Neu. Performative monuments | The rematerialisation of public art | Mechtild Widrich | Taschenbuch | Kartoniert / Broschiert | Englisch | 2014 | Manchester University Press | EAN 9780719095917 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbie…ter: preigu Print on Demand.
