Isbn: 9780745319926 - understanding film: marxist perspectives (25 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback or Softback. Condizione: New. Understanding Film: Marxist Perspectives. Book.

Paperback. Condizione: New. Film remains one of the most dominant cultural forms in the world today. Crossing classes and cultures, it permeates many aspects of our consciousness. In film, perhaps more than any other medium, we can read the politics of time and place, past and present. The history of Marxism has intersected with film in many ways and this book is a timely reminder of the fruits of that intersection, in film theory and film practice. Marxist film theory returns to film studies some of the key concepts which make possible a truly radical, political understanding of the medium and its place both within capitalism and against it. This book shows how questions of ideology, technology and industry must be situated in relation to class - a category which academia is distinctly uncomfortable with. Exploring the work of some of the key theorists who have influenced our understanding of film, such as Adorno, Althusser, Benjamin, Brecht, Gramsci, Jameson and others. It shows how films must be situated in their social and historical contexts, whether Hollywood, Russian, Cuban, Chinese or North Korean cinema. The authors explore the political contradictions and tensions within dominant cinema and discuss how Marxist filmmakers have pushed the medium in new and exciting directions.…

Condizione: New. pp. 272.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: New.

Condizione: New. In English.

Condizione: New. Ideal for students looking for a radical approach to film studies. Editor(s): Wayne, Mike. Num Pages: 272 pages, 4 illustrations. BIC Classification: APFA; JPFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 215 x 135 x 18. Weight in Grams: 404. . 2005. Paperback. . . . .…

Condizione: New.

Condizione: New. pp. 272.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Ideal for students looking for a radical approach to film studies. Editor(s): Wayne, Mike. Num Pages: 272 pages, 4 illustrations. BIC Classification: APFA; JPFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 215 x 135 x 18. Weight in Grams: 404. . 2005. Paperback. . . . . Books ship from the US and Ireland.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. Film remains one of the most dominant cultural forms in the world today. Crossing classes and cultures, it permeates many aspects of our consciousness. In film, perhaps more than any other medium, we can read the politics of time and place, past and present. The history of Marxism has intersected with film in many ways and this book is a timely reminder of the fruits of that intersection, in film theory and film practice. Marxist film theory returns to film studies some of the key concepts which make possible a truly radical, political understanding of the medium and its place both within capitalism and against it. This book shows how questions of ideology, technology and industry must be situated in relation to class - a category which academia is distinctly uncomfortable with. Exploring the work of some of the key theorists who have influenced our understanding of film, such as Adorno, Althusser, Benjamin, Brecht, Gramsci, Jameson and others. It shows how films must be situated in their social and historical contexts, whether Hollywood, Russian, Cuban, Chinese or North Korean cinema. The authors explore the political contradictions and tensions within dominant cinema and discuss how Marxist filmmakers have pushed the medium in new and exciting directions.…

Paperback. Condizione: Brand New. 253 pages. 8.50x5.25x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: New. PRINT ON DEMAND pp. 272.

Kartoniert / Broschiert. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ideal for students looking for a radical approach to film studies.&Uumlber den AutorMike Wayne is professor of film and television studies at Brunel University. He is the author of Marxism and Media Studies (2003) and Political Film. …

Taschenbuch. Condizione: Neu. Understanding Film | Marxist Perspectives | Mike Wayne | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2005 | Pluto Press | EAN 9780745319926 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …