Isbn: 9780754662600 - the modernist legacy: essays on new music (23 risultati)

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

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Condizione: New. A collection of essays that offers a historical reappraisal of what musical modernism was. It assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. Editor(s): Heile, Bjorn. Num Pages: 276 pages, Includes 13 b&w illustrations and 26 music examples. BIC Classification: AVGC6. Category: (G) General (US: Trade). Dimension: 157 x 242 x 22. Weight in Grams: 756. . 2009. 1st Edition. hardcover. . . . . …

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Hardback. Condizione: New. This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.…

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Gebunden. Condizione: New. Bjoern Heile is Lecturer in Music and Head of Department at the University of Sussex, UK. He is the author of The Music of Mauricio Kagel as well as numerous other publications, mostly on new music and experimental music theatre.This collection of e.

Condizione: New. A collection of essays that offers a historical reappraisal of what musical modernism was. It assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. Editor(s): Heile, Bjorn. Num Pages: 276 pages, Includes 13 b&w illustrations and 26 music examples. BIC Classification: AVGC6. Category: (G) General (US: Trade). Dimension: 157 x 242 x 22. Weight in Grams: 756. . 2009. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Condizione: Brand New. 250 pages. 9.53x7.24x0.87 inches. In Stock.

Hardback. Condizione: New. This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.…

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Hardcover. Condizione: Brand New. 250 pages. 9.53x7.24x0.87 inches. In Stock. This item is printed on demand.

Buch. Condizione: Neu. The Modernist Legacy | Essays on New Music | Björn Heile | Buch | Einband - fest (Hardcover) | Englisch | 2009 | Routledge | EAN 9780754662600 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.…