Da: Michael Knight, Bookseller, Forest Grove, OR, U.S.A.
hardcover. Condizione: Very Good. Hardcover with very good dust-jacket. Clean and solid. Ships from a smoke-free home.
EUR 186,37
Quantità: 5 disponibili
Aggiungi al carrelloHardcover. Condizione: New.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 189,33
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EUR 208,47
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EUR 209,03
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 209,28
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Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 238,94
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Aggiungi al carrelloCondizione: New. In.
EUR 249,40
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Aggiungi al carrelloHardback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Prima edizione
EUR 268,02
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Aggiungi al carrelloCondizione: New. Should sight trump the other four senses when experiencing and evaluating art? This title questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the roles of touch, taste, smell, and sound in the materiality of works of art. Editor(s): Koureas, Gabriel (Birbeck College, University of London, UK); Di Bello, Patrizia. Num Pages: 224 pages, Includes 26 b&w illustrations. BIC Classification: ABA; AC. Category: (G) General (US: Trade). Dimension: 241 x 156 x 18. Weight in Grams: 634. . 2010. 1st Edition. hardcover. . . . .
EUR 307,43
Quantità: 2 disponibili
Aggiungi al carrelloHardcover. Condizione: Brand New. new edition edition. 224 pages. 9.57x6.46x0.87 inches. In Stock.
EUR 339,97
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Aggiungi al carrelloCondizione: New. Should sight trump the other four senses when experiencing and evaluating art? This title questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the roles of touch, taste, smell, and sound in the materiality of works of art. Editor(s): Koureas, Gabriel (Birbeck College, University of London, UK); Di Bello, Patrizia. Num Pages: 224 pages, Includes 26 b&w illustrations. BIC Classification: ABA; AC. Category: (G) General (US: Trade). Dimension: 241 x 156 x 18. Weight in Grams: 634. . 2010. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 210,41
Quantità: 5 disponibili
Aggiungi al carrelloHardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Da: moluna, Greven, Germania
EUR 179,01
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Aggiungi al carrelloGebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Patrizia Di Bello is Lecturer in Film and Visual Media in the School of Art, Film and Visual Media at Birkbeck College, University of London, UK. Gabriel Koureas is Associate Lecturer in the History of Art, Film and Visual Media at Birkbeck Colleg.
Da: PBShop.store US, Wood Dale, IL, U.S.A.
EUR 249,90
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Aggiungi al carrelloHRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 243,30
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Aggiungi al carrelloHRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 296,03
Quantità: 1 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Should sight trump the other four senses when experiencing and evaluating art Art, History and the Senses: 1830 to the Present questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the roles of touch, taste, smell, and sound in the materiality of works of art. From the nineteenth century onward, notions of synaesthesia and the multi-sensorial were important to a series of art movements from Symbolism to Futurism and Installations. The essays in this collection evaluate works of art at specific moments in their history, and consider how senses other than the visual have (or have not) affected the works' meaning. The result is a re-evaluation of sensory knowledge and experience in the arts, encouraging a new level of engagement with ideas of style and form.