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ISBN 10: 0801866693 ISBN 13: 9780801866692
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ISBN 10: 0801866693 ISBN 13: 9780801866692
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ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloPaperback. Condizione: New. If Walter Benjamin (with an irony that belies his seemingly tragic life) is now recognized as one of the century's most important writers, reading him is no easy matter. Benjamin opens one of his most notable essays, "The Task of the Translator", with the words "No poem is intended for the reader, no image for the beholder, no symphony for the listener". How does one read an author who tells us that writing does not communicate very much to the reader? How does one learn to regard what comes to us from Benjamin as something other than direct expression? Carol Jacobs' In the Language of Walter Benjamin is an attempt to come to terms with this predicament. It does so by teasing out such guidelines for criticism as Benjamin seems to offer in The Origin of German Tragic Drama. Jacobs reminds us of Benjamin's distinction between truth and knowledge. She above all insists on his method of philosophical contemplation as performance, on a performance that demands precise immersion in the minute details of subject matter.
Lingua: Inglese
Editore: Johns Hopkins University Press, Baltimore, MD, 2000
ISBN 10: 0801866693 ISBN 13: 9780801866692
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Paperback. Condizione: new. Paperback. If Walter Benjamin (with an irony that belies his seemingly tragic life) is now recognized as one of the century's most important writers, reading him is no easy matter. Benjamin opens one of his most notable essays, "The Task of the Translator", with the words "No poem is intended for the reader, no image for the beholder, no symphony for the listener". How does one read an author who tells us that writing does not communicate very much to the reader? How does one learn to regard what comes to us from Benjamin as something other than direct expression?Carol Jacobs' In the Language of Walter Benjamin is an attempt to come to terms with this predicament. It does so by teasing out such guidelines for criticism as Benjamin seems to offer in The Origin of German Tragic Drama. Jacobs reminds us of Benjamin's distinction between truth and knowledge. She above all insists on his method of philosophical contemplation as performance, on a performance that demands precise immersion in the minute details of subject matter. The process of contemplation that these essays perform, then, is marked by an unceasing pausing for breath (sometimes for many years)."-Carol Jacobs, from In the Language of Walter Benjamin Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloCondizione: Muy Bueno. Johns Hopkins University Press, 1999, 136pp., firma del anterior propietario, muy buen estado//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y puede sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. MR5995-6-2.
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ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. If Walter Benjamin (with an irony that belies his seemingly tragic life) is now recognized as one of the century's most important writers, reading him is no easy matter. Benjamin opens one of his most notable essays, "The Task of the Translator", with the words "No poem is intended for the reader, no image for the beholder, no symphony for the listener". How does one read an author who tells us that writing does not communicate very much to the reader? How does one learn to regard what comes to us from Benjamin as something other than direct expression?Carol Jacobs' In the Language of Walter Benjamin is an attempt to come to terms with this predicament. It does so by teasing out such guidelines for criticism as Benjamin seems to offer in The Origin of German Tragic Drama. Jacobs reminds us of Benjamin's distinction between truth and knowledge. She above all insists on his method of philosophical contemplation as performance, on a performance that demands precise immersion in the minute details of subject matter. The process of contemplation that these essays perform, then, is marked by an unceasing pausing for breath (sometimes for many years)."-Carol Jacobs, from In the Language of Walter Benjamin Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
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ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloPaperback. Condizione: New. If Walter Benjamin (with an irony that belies his seemingly tragic life) is now recognized as one of the century's most important writers, reading him is no easy matter. Benjamin opens one of his most notable essays, "The Task of the Translator", with the words "No poem is intended for the reader, no image for the beholder, no symphony for the listener". How does one read an author who tells us that writing does not communicate very much to the reader? How does one learn to regard what comes to us from Benjamin as something other than direct expression? Carol Jacobs' In the Language of Walter Benjamin is an attempt to come to terms with this predicament. It does so by teasing out such guidelines for criticism as Benjamin seems to offer in The Origin of German Tragic Drama. Jacobs reminds us of Benjamin's distinction between truth and knowledge. She above all insists on his method of philosophical contemplation as performance, on a performance that demands precise immersion in the minute details of subject matter.
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Editore: The Johns Hopkins University Press, 2000
ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The process of contemplation that these essays perform, then, is marked by an unceasing pausing for breath (sometimes for many years). -Carol Jacobs, from In the Language of Walter BenjaminÜber den AutorCarol Jacobs is a profes.
Lingua: Inglese
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ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - If Walter Benjamin (with an irony that belies his seemingly tragic life) is now recognized as one of the century's most important writers, reading him is no easy matter. Benjamin opens one of his most notable essays, 'The Task of the Translator', with the words 'No poem is intended for the reader, no image for the beholder, no symphony for the listener'. How does one read an author who tells us that writing does not communicate very much to the reader How does one learn to regard what comes to us from Benjamin as something other than direct expression Carol Jacobs' In the Language of Walter Benjamin is an attempt to come to terms with this predicament. It does so by teasing out such guidelines for criticism as Benjamin seems to offer in The Origin of German Tragic Drama. Jacobs reminds us of Benjamin's distinction between truth and knowledge. She above all insists on his method of philosophical contemplation as performance, on a performance that demands precise immersion in the minute details of subject matter.
Lingua: Inglese
Editore: Johns Hopkins University Press, 2000
ISBN 10: 0801866693 ISBN 13: 9780801866692
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. In the Language of Walter Benjamin | Carol Jacobs | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | Johns Hopkins University Press | EAN 9780801866692 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.