ISBN: 9780804729024 - wordsworth's profession: form, class, and the logic of early romantic cultural production (22 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. A lovely and rare SIGNED FIRST EDITION copy! Virtually "as new" in original hardcover (square, tight, and unmarked) in a fine dust jacket -- clean, bright, and tight -- which has NOT been price-clipped. No markings of any kind, with just a hint of nicking at the top corners. First edition; first printing (full number line present). A scarce SIGNED copy, with the author's elegant signature on the title page. Suitable condition for presentation as a gift, or for adding to a library collection. Ships from NC. All books are sealed in recycled plastic, packaged securely, and shipped promptly with tracking information. (A-1.). Signed by Author(s).…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9780804729024.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. This book explores Wordsworth's professionalization as a writer in relation to the cultural and economic ascendancy of the English middle class between 1740 and 1820. Its wide-ranging interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms simultaneously afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socio-economic status. Wordsworth's Profession analyzes and correlates changing paradigms of authorship, poetic genre, and tone with the demographic and spiritual aspects of middle-class life during the late eighteenth and early nineteenth centuries. The first of three parts explores Wordsworth's early descriptive poetry (An Evening Walk, Descriptive Sketches, and "Tinturn Abbey") in relation to inherited and contiguous aesthetic forms and practices, such as the landscapes of Lorrain and Gainsborough, Kant's theory of aesthetic communities, and the institutions of domestic tourism and the Picturesque in late-eighteenth-century England. The second part addresses the construction of a distinctly middle-class paradigm of reading in Lyrical Ballads. It does so in relation to contemporary didactic fiction (Wollstonecraft), anti-didactic writing (Blake), speculative theories of education (Godwin, Coleridge, and Hegel), and the emergent so-called mutual tutor or "monitorial" systems of elementary schooling (Andrew Bell and Joseph Lancaster). The book's final part, on The Prelude, focuses on representations of middle-class moral and economic anxiety as mediated in the spirited debate about populousness and public morality. Seen in this context, Wordsworth's autobiography appears less a confession than an attempt to simulate poetic answers to questions lingering in the national unconscious, questions too vast and threatening to bear conscious asking. …

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 468.

Condizione: New. In English.

Condizione: New. 1997. 1st Edition. Hardcover. . . . . .

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 468.

Condizione: New. 1997. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardback. Condizione: New. This book explores Wordsworth's professionalization as a writer in relation to the cultural and economic ascendancy of the English middle class between 1740 and 1820. Its wide-ranging interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms simultaneously afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socio-economic status. Wordsworth's Profession analyzes and correlates changing paradigms of authorship, poetic genre, and tone with the demographic and spiritual aspects of middle-class life during the late eighteenth and early nineteenth centuries. The first of three parts explores Wordsworth's early descriptive poetry (An Evening Walk, Descriptive Sketches, and "Tinturn Abbey") in relation to inherited and contiguous aesthetic forms and practices, such as the landscapes of Lorrain and Gainsborough, Kant's theory of aesthetic communities, and the institutions of domestic tourism and the Picturesque in late-eighteenth-century England. The second part addresses the construction of a distinctly middle-class paradigm of reading in Lyrical Ballads. It does so in relation to contemporary didactic fiction (Wollstonecraft), anti-didactic writing (Blake), speculative theories of education (Godwin, Coleridge, and Hegel), and the emergent so-called mutual tutor or "monitorial" systems of elementary schooling (Andrew Bell and Joseph Lancaster). The book's final part, on The Prelude, focuses on representations of middle-class moral and economic anxiety as mediated in the spirited debate about populousness and public morality. Seen in this context, Wordsworth's autobiography appears less a confession than an attempt to simulate poetic answers to questions lingering in the national unconscious, questions too vast and threatening to bear conscious asking. …

Hardcover. Condizione: Brand New. 1st edition. 468 pages. 9.50x6.25x1.25 inches. In Stock.

Gebunden. Condizione: New. In exploring Wordsworth s professionalization as a writer, the author s interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism s aesthetic forms afforded the middle classes an imaginary furlough from the i.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book explores Wordsworth's professionalization as a writer in relation to the cultural and economic ascendancy of the English middle class between 1740 and 1820. Its wide-ranging interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms simultaneously afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socio-economic status. Wordsworth's Profession analyzes and correlates changing paradigms of authorship, poetic genre, and tone with the demographic and spiritual aspects of middle-class life during the late eighteenth and early nineteenth centuries. The first of three parts explores Wordsworth's early descriptive poetry (An Evening Walk, Descriptive Sketches, and 'Tinturn Abbey') in relation to inherited and contiguous aesthetic forms and practices, such as the landscapes of Lorrain and Gainsborough, Kant's theory of aesthetic communities, and the institutions of domestic tourism and the Picturesque in late-eighteenth-century England. The second part addresses the construction of a distinctly middle-class paradigm of reading in Lyrical Ballads. It does so in relation to contemporary didactic fiction (Wollstonecraft), anti-didactic writing (Blake), speculative theories of education (Godwin, Coleridge, and Hegel), and the emergent so-called mutual tutor or 'monitorial' systems of elementary schooling (Andrew Bell and Joseph Lancaster). The book's final part, on The Prelude, focuses on representations of middle-class moral and economic anxiety as mediated in the spirited debate about populousness and public morality. Seen in this context, Wordsworth's autobiography appears less a confession than an attempt to simulate poetic answers to questions lingering in the national unconscious, questions too vast and threatening to bear conscious asking. 468 pp. Englisch.…

Hardcover. Condizione: Brand New. 1st edition. 468 pages. 9.50x6.25x1.25 inches. In Stock. This item is printed on demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores Wordsworth's professionalization as a writer in relation to the cultural and economic ascendancy of the English middle class between 1740 and 1820. Its wide-ranging interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms simultaneously afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socio-economic status. Wordsworth's Profession analyzes and correlates changing paradigms of authorship, poetic genre, and tone with the demographic and spiritual aspects of middle-class life during the late eighteenth and early nineteenth centuries. The first of three parts explores Wordsworth's early descriptive poetry (An Evening Walk, Descriptive Sketches, and 'Tinturn Abbey') in relation to inherited and contiguous aesthetic forms and practices, such as the landscapes of Lorrain and Gainsborough, Kant's theory of aesthetic communities, and the institutions of domestic tourism and the Picturesque in late-eighteenth-century England. The second part addresses the construction of a distinctly middle-class paradigm of reading in Lyrical Ballads. It does so in relation to contemporary didactic fiction (Wollstonecraft), anti-didactic writing (Blake), speculative theories of education (Godwin, Coleridge, and Hegel), and the emergent so-called mutual tutor or 'monitorial' systems of elementary schooling (Andrew Bell and Joseph Lancaster). The book's final part, on The Prelude, focuses on representations of middle-class moral and economic anxiety as mediated in the spirited debate about populousness and public morality. Seen in this context, Wordsworth's autobiography appears less a confession than an attempt to simulate poetic answers to questions lingering in the national unconscious, questions too vast and threatening to bear conscious asking.…