Isbn: 9780804729406 - complex pleasure: forms of feeling in german literature (24 risultati)

Paperback. Condizione: New. Complex Pleasure deals with questions of literary feeling in eight major German writers-Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition-fiction, poetry, critique-can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin's "swift conceptual grasp," in which "the tempo of the process of thought is stressed"; "artistic imagination," mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ("On Moods") and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).…

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780804729406. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: New. In English.

Condizione: New. pp. 264.

Condizione: New. "Complex Pleasure" deals with questions of literary feeling in eight major German writers: Lessing, Kant, Hslderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. Num Pages: 264 pages. BIC Classification: 2ACG; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 14. Weight in Grams: 308. . 1998. Paperback. . . . . …

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: New. pp. 264.

Condizione: As New. Unread book in perfect condition.

Condizione: New. "Complex Pleasure" deals with questions of literary feeling in eight major German writers: Lessing, Kant, Hslderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. Num Pages: 264 pages. BIC Classification: 2ACG; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 14. Weight in Grams: 308. . 1998. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condizione: Brand New. 1st edition. 264 pages. 8.75x5.75x0.75 inches. In Stock.

Paperback. Condizione: New. Complex Pleasure deals with questions of literary feeling in eight major German writers-Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition-fiction, poetry, critique-can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin's "swift conceptual grasp," in which "the tempo of the process of thought is stressed"; "artistic imagination," mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ("On Moods") and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight).…

Condizione: New. Complex Pleasure deals with questions of literary feeling in eight major German writers: Lessing, Kant, Hslderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin.&Uumlber den AutorrnrnStanley Corngold is Professor of German and Comparative .

Taschenbuch. Condizione: Neu. Neuware - Complex Pleasure deals with questions of literary feeling in eight major German writers-Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition-fiction, poetry, critique-can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin's 'swift conceptual grasp,' in which 'the tempo of the process of thought is stressed'; 'artistic imagination,' mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ('On Moods') and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight). …

Taschenbuch. Condizione: Neu. Complex Pleasure | Forms of Feeling in German Literature | Stanley Corngold | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1998 | Stanford University Press | EAN 9780804729406 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Condizione: Gut. 8°. XVIII, 243 pages. Original Softcover. Very good condition with only minor signs of external wear. From the library of philosopher Graham Parkes. Includes essays like: - Walter Benjamin's "Affective Understanding" of Hoelderlin's Odes "The Poet's Courage" and "Timidity" - Telling Sadism in Musil's "Young Toerless" - What is Radical in Immanuel Kant's "Critique of Aesthetic" - Wit and Judgment; or, Lessing and Kant - Nietzsche's Moods etc. etc.…

Paperback. Condizione: Brand New. 1st edition. 264 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 345.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Complex Pleasure deals with questions of literary feeling in eight major German writers-Lessing, Kant, Hölderlin, Nietzsche, Musil, Kafka, Trakl, and Benjamin. On the basis of close readings of these authors Stanley Corngold makes vivid the following ideas: that where there is literature there is complex pleasure; that this pleasure is complex because it involves the impression of a disclosure; that this thought is foremost in the minds of a number of canonical writers; that important literary works in the German tradition-fiction, poetry, critique-can be illuminated through their treatment of literary feeling; and, finally, that the conceptual terms for these forms of feeling continually vary. The types of feeling treated in Complex Pleasure include wit (the startling perception of likeness) and the disinterested pleasure of aesthetic judgment; Hölderlin's 'swift conceptual grasp,' in which 'the tempo of the process of thought is stressed'; 'artistic imagination,' mood, sadistic enjoyment, rapturous distraction, homonymic dissonance, and courage as a mode of literary experience. At the same time, through the deftness, range, and surprise of its execution, the book itself conveys complex pleasure. The reader will also find fascinating, hitherto untranslated material by Nietzsche ('On Moods') and Kafka (important sections from his journals and from his unfinished novel The Boy Who Sank Out of Sight). 264 pp. Englisch.…