9780804730679 - practice of cultural analysis: exposing interdisciplinary interpretation (32 risultati)
Lingua: Inglese
Editore: Stanford University Press (edition 1), 1999
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Paperback. Condizione: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Lingua: Inglese
Editore: Stanford University Press (edition 1), 1999
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Paperback. Condizione: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missin…g.
Lingua: Inglese
Editore: Stanford University Press, 1999
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Paperback. Condizione: Good. Ex-library book with stickers and/or stamps throughout.
Lingua: Inglese
Editore: Stanford University Press, Stanford, 1999
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Da: Daedalus Books, Portland, OR, U.S.A.Daedalus Books
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Paperback. Condizione: Very Good. Light surface wear. A nice, solid copy. ; Cultural Memory In The Present; 6 X 1.04 X 9 inches; 392 pages.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Hamelyn, Madrid, M, SpagnaHamelyn
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EUR 12,87
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Condizione: Very Good. : Este libro explora el análisis cultural como un campo de estudio emergente, dedicado a comprender el pasado como parte integral del presente. Los ensayos reunidos examinan la relación de esta práctica académica con la historia, abordando temas clave para definir su identidad y avanzar en su programa. Se…centra en la interpretación interdisciplinaria, ofreciendo una visión profunda de cómo el análisis cultural da forma a nuestra comprensión del mundo que nos rodea. EAN: 9780804730679 Tipo: Libros Categoría: Arte y Cultura|Historia|Filosofía Título: The Practice of Cultural Analysis Autor: Mieke Bal| Bryan Gonzales Editorial: Stanford University Press Idioma: en Páginas: 416 Formato: tapa blanda.
Lingua: Inglese
Editore: Stanford University Press, 1999
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EUR 36,76
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Condizione: New.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: California Books, Miami, FL, U.S.A.California Books
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EUR 39,12
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Condizione: New.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Stanford University Press, US, 1999
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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EUR 41,75
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Paperback. Condizione: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in th…e present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Anybook.com, Lincoln, Regno UnitoAnybook.com
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Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780804730679.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Anybook.com, Lincoln, Regno UnitoAnybook.com
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Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780804730679.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Librería Páramo, Urueña, VA, SpagnaLibrería Páramo
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Condizione: Bueno. Stanford University Press Stanford 1999, 1999, 422pp. Softcover, in very good condition//// Nota de la librería: Si no se especifica en la descripción anterior, los libros no tienen subrayados, anotaciones, firmas o defectos reseñables. ATENCIÓN: EL ENVÍO GRATUITO ES ORDINARIO SIN NÚMERO DE SEGUIMIENTO, y pued…e sufrir retrasos de varios días. Le dejarán un aviso en el buzón PARA LA RECOGIDA EN OFICINA. PRIORITARIO/CERTIFICADO CON ENTREGA A DOMICILIO POR SOLO 2,90 euros. DL2635.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In English.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 416.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being aiming to be more specific than either. Editor(s): Bal, Mieke. Series: Cultural Memory in the Present. Num Pages: 416 pages, 47 half-tones. BI…C Classification: DSA; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 231 x 154 x 23. Weight in Grams: 592. . 1999. 1st Edition. Paperback. . . . .
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Stanford University Press, Stanford, California, 1999
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Da: San Francisco Book Company, Paris, FranciaSan Francisco Book Company
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Paperback. Condizione: Good. Paperback Octavo. illustrated wraps, 392 pp, soiled wraps.
Lingua: Inglese
Editore: Stanford Univ Pr, 1999
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 1st edition. 392 pages. 9.25x6.25x1.00 inches. In Stock.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 59,41
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Condizione: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being aiming to be more specific than either. Editor(s): Bal, Mieke. Series: Cultural Memory in the Present. Num Pages: 416 pages, 47 half-tones. BI…C Classification: DSA; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 231 x 154 x 23. Weight in Grams: 592. . 1999. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Stanford University Press, 1999
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 65,51
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Condizione: New. pp. 416 1st Edition.
Lingua: Inglese
Editore: Stanford University Press, US, 1999
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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EUR 43,42
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Paperback. Condizione: New. This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situatedness in th…e present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase "cultural memory in the present." Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, "Don't Look Now: Visual Memory in the Present," explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, "Close-ups and Mirrors: The Return of Close Reading, with a Difference," demonstrates and advocates "listening" to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, "Method Matters: Reflections on the Identity of Cultural Analysis," do not propose any "directions for use" or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.
Lingua: Inglese
Editore: STANFORD UNIV PR, 1999
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Da: moluna, Greven, Germaniamoluna
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EUR 43,44
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Condizione: New. This volume presents an interdisciplinary approach to humanistic scholarship situated somewhere between cultural studies and cultural history. Cultural analysis as a critical practice is based on a keen awareness of the critic s situatedness in the present.
Lingua: Inglese
Editore: Stanford University Press Mai 1999, 1999
- Brossura
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 55,00
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Taschenbuch. Condizione: Neu. Neuware - This volume presents an interdisciplinary approach to humanistic scholarship, one that can be situated somewhere between cultural studies and cultural history while being more specific than either. Cultural analysis as a critical practice is based on a keen awareness of the critic's situat…edness in the present-the social and cultural present from which we look, and look back, at objects that are already of the past, objects that we take to define our present culture. Thus it can be summarized by the phrase 'cultural memory in the present.' Far from being indifferent to history, cultural analysis is devoted to understanding the past as part of the present, as what we have around us. The essays gathered here represent the current state of an emerging field of inquiry. At the same time, they suggest to the larger academic world what cultural analysis can and should do, or be, as an interdisciplinary practice. The challenge for this volume is to counter the common assumption that interdisciplinarity makes the object of inquiry vague and the methodology muddled. In meeting that challenge, it offers close textual and visual readings of subjects ranging from Vermeer to abstract expressionism, from the Book of Ruth to Djuna Barnes's Nightwood, from the history of cinema to popular culture in Zaire. The essays in Part I, 'Don't Look Now: Visual Memory in the Present,' explore in detailed case studies centered on the theme of visuality or looking, the tricky consequences of the uncertainties regarding history that the presentness of the past entails. Part II, 'Close-ups and Mirrors: The Return of Close Reading, with a Difference,' demonstrates and advocates 'listening' to the object without the New Critical naïveté that claims the text speaks for itself. Instead, the essays create the kind of dialogical situation that is a major characteristic of cultural analysis; the text does not speak for itself, but it does speak back. The essays in Part III, 'Method Matters: Reflections on the Identity of Cultural Analysis,' do not propose any 'directions for use' or authoritative statements on how to do cultural analysis. Arranged in pairs of opposites, the essays represent the kind of fruitful tension that stimulates debate. Though no definite answers are proposed, and conflicting views are left in conflict, the essays stimulate a (self-)reflection on cultural analysis, its practices, and its understandings.
