9780804738729 - Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era di Gitelman, Lisa (24 risultati)

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condizione: new.

Paperback. Condizione: New. Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Condizione: New.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780804738729.

Paperback. Condizione: New. This is a richly imaginative study of machines for writing and reading at the end of the nineteenth century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality. At the book's heart is the proposition that technologies of inscription are materialized theories of language. Whether they failed (like Thomas Edison's "electric pen") or succeeded (like typewriters), inscriptive technologies of the late nineteenth century were local, often competitive embodiments of the way people experienced writing and reading. Such a perspective cuts through the determinism of recent accounts while arguing for an interdisciplinary method for considering texts and textual production. Starting with the cacophonous promotion of shorthand alphabets in postbellum America, the author investigates the assumptions-social, psychic, semiotic-that lie behind varying inscriptive practices. The "grooves" in the book's title are the delicate lines recorded and played by phonographs, and readers will find in these pages a surprising and complex genealogy of the phonograph, along with new readings of the history of the typewriter and of the earliest silent films. Modern categories of authorship, representation, and readerly consumption emerge here amid the un- or sub-literary interests of patent attorneys, would-be inventors, and record producers. Modern subjectivities emerge both in ongoing social constructions of literacy and in the unruly and seemingly unrelated practices of American spiritualism, "Coon" songs, and Rube Goldberg-type romanticism. Just as digital networks and hypertext have today made us more aware of printed books as knowledge structures, the development and dissemination of the phonograph and typewriter coincided with a transformed awareness of oral and inscribed communication. It was an awareness at once influential in the development of consumer culture, literary and artistic experiences of modernity, and the disciplinary definition of the "human" sciences, such as linguistics, anthropology, and psychology. Recorded sound, typescripts, silent films, and other inscriptive media are memory devices, and in today's terms the author offers a critical theory of ROM and RAM for the century before computers.

Soft cover. Condizione: Very Good. 1st Edition. BOOK IS NEAR FINE BUT COVER DOES NOT LIE FLAT. SIGNED BY AUTHOR. Signed by Author(s).

Condizione: New. pp. 304.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. 1st Edition. BOOK IS VG+ BUT COVER AND FIRST PAGE HAVE CREASES - SIGNED BY AUTHOR. Signed by Author(s).

Condizione: New. This is a study of machines for writing and reading at the end of the 19th century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality. Num Pages: 304 pages, 22 half-tones. BIC Classification: 1KBB; 3JH; DSB; TDPB; TDPP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 136 x 13. Weight in Grams: 398. . 2000. 1st Edition. Paperback. . . . .

Condizione: New. pp. 304.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. This is a study of machines for writing and reading at the end of the 19th century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality. Num Pages: 304 pages, 22 half-tones. BIC Classification: 1KBB; 3JH; DSB; TDPB; TDPP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 136 x 13. Weight in Grams: 398. . 2000. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 1st edition. 282 pages. 8.50x5.75x0.75 inches. In Stock.

Paperback. Condizione: New. This is a richly imaginative study of machines for writing and reading at the end of the nineteenth century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality. At the book's heart is the proposition that technologies of inscription are materialized theories of language. Whether they failed (like Thomas Edison's "electric pen") or succeeded (like typewriters), inscriptive technologies of the late nineteenth century were local, often competitive embodiments of the way people experienced writing and reading. Such a perspective cuts through the determinism of recent accounts while arguing for an interdisciplinary method for considering texts and textual production. Starting with the cacophonous promotion of shorthand alphabets in postbellum America, the author investigates the assumptions-social, psychic, semiotic-that lie behind varying inscriptive practices. The "grooves" in the book's title are the delicate lines recorded and played by phonographs, and readers will find in these pages a surprising and complex genealogy of the phonograph, along with new readings of the history of the typewriter and of the earliest silent films. Modern categories of authorship, representation, and readerly consumption emerge here amid the un- or sub-literary interests of patent attorneys, would-be inventors, and record producers. Modern subjectivities emerge both in ongoing social constructions of literacy and in the unruly and seemingly unrelated practices of American spiritualism, "Coon" songs, and Rube Goldberg-type romanticism. Just as digital networks and hypertext have today made us more aware of printed books as knowledge structures, the development and dissemination of the phonograph and typewriter coincided with a transformed awareness of oral and inscribed communication. It was an awareness at once influential in the development of consumer culture, literary and artistic experiences of modernity, and the disciplinary definition of the "human" sciences, such as linguistics, anthropology, and psychology. Recorded sound, typescripts, silent films, and other inscriptive media are memory devices, and in today's terms the author offers a critical theory of ROM and RAM for the century before computers.

Condizione: New. This is a study of machines for writing and reading at the end of the 19th century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology an.

Taschenbuch. Condizione: Neu. Neuware - This is a richly imaginative study of machines for writing and reading at the end of the nineteenth century in America. Its aim is to explore writing and reading as culturally contingent experiences, and at the same time to broaden our view of the relationship between technology and textuality. At the book's heart is the proposition that technologies of inscription are materialized theories of language. Whether they failed (like Thomas Edison's 'electric pen') or succeeded (like typewriters), inscriptive technologies of the late nineteenth century were local, often competitive embodiments of the way people experienced writing and reading. Such a perspective cuts through the determinism of recent accounts while arguing for an interdisciplinary method for considering texts and textual production. Starting with the cacophonous promotion of shorthand alphabets in postbellum America, the author investigates the assumptions-social, psychic, semiotic-that lie behind varying inscriptive practices. The 'grooves' in the book's title are the delicate lines recorded and played by phonographs, and readers will find in these pages a surprising and complex genealogy of the phonograph, along with new readings of the history of the typewriter and of the earliest silent films. Modern categories of authorship, representation, and readerly consumption emerge here amid the un- or sub-literary interests of patent attorneys, would-be inventors, and record producers. Modern subjectivities emerge both in ongoing social constructions of literacy and in the unruly and seemingly unrelated practices of American spiritualism, 'Coon' songs, and Rube Goldberg-type romanticism. Just as digital networks and hypertext have today made us more aware of printed books as knowledge structures, the development and dissemination of the phonograph and typewriter coincided with a transformed awareness of oral and inscribed communication. It was an awareness at once influential in the development of consumer culture, literary and artistic experiences of modernity, and the disciplinary definition of the 'human' sciences, such as linguistics, anthropology, and psychology. Recorded sound, typescripts, silent films, and other inscriptive media are memory devices, and in today's terms the author offers a critical theory of ROM and RAM for the century before computers.

Paperback. Condizione: Brand New. 1st edition. 282 pages. 8.50x5.75x0.75 inches. In Stock. This item is printed on demand.