Isbn: 9780805090864 - the jazz ear: conversations over music (37 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. This work coaxes out an understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually.…

Paperback. Condizione: Good. Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. This work coaxes out an understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually.…

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

Paperback. Condizione: Good. Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. This work coaxes out an understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually.…

Paperback. Condizione: Very Good. Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. This work coaxes out an understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually.…

paperback. Condizione: Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paper Back. Condizione: Very Good.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback or Softback. Condizione: New. The Jazz Ear: Conversations Over Music. Book.

Paperback. Condizione: New. Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece "Kind of Blue". Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In "The Jazz Ear", the acclaimed music critic Ben Ratliff sits down with jazz greats to discuss recordings by the musicians who most influenced them. In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually. Expanding on his popular interviews for "The New York Times", Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music. Playful and keenly insightful, "The Jazz Ear" is a revelatory exploration of a unique way of making and hearing music.…

Paperback. Condizione: New. Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece "Kind of Blue". Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In "The Jazz Ear", the acclaimed music critic Ben Ratliff sits down with jazz greats to discuss recordings by the musicians who most influenced them. In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually. Expanding on his popular interviews for "The New York Times", Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music. Playful and keenly insightful, "The Jazz Ear" is a revelatory exploration of a unique way of making and hearing music.…

Condizione: As New. Unread book in perfect condition.

Card Wrappers. Condizione: As New. Secpnd PB Printing. Interviews with major jazz musicians in which theye are asked to pick & discuss examples of their favorite music. "The Jazz Ear will be a permanent part of learning how to listen inside the musicians playing."-Nat Hentoff, Jazz Times'. xvii, 235 p. : ill. ; 21 cm. An absolutely 'as new' cop[y - unused. Unpacked weight, 227g. We ship Worldwide, at cost, using both Canada Post and the United States Postal Service, and offer postal charges, at cost, without overcharging. Canadian domestic postal rates rise with weight, size and distance; Rates to the USA calculated by weight alone as per the USPS. World rates based on specific destination and weight. Online estimates by the Listing Site may not be correct and either additional, or reduced postage may be required, particularly for particularly for heavier books for shipment to Canada and Overseas, but not usually to the USA. Questions? Quotes? Images? - please email. Size: 21cm Tall. Book.…

Condizione: New.

Paperback. Condizione: Very Good. Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece "Kind of Blue". Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In "The Jazz Ear", the acclaimed music critic Ben Ratliff sits down with jazz greats to discuss recordings by the musicians who most influenced them. In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually. Expanding on his popular interviews for "The New York Times", Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music. Playful and keenly insightful, "The Jazz Ear" is a revelatory exploration of a unique way of making and hearing music. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Soft cover. Condizione: Very Good. 1st Edition.

Condizione: New.

Paperback. Condizione: Very Good. Clean, tight, unmarked; spine straight and uncreased; absolute minimal wear; To get to the heart of jazz, Ratliff sat down with 15 of today's greatest artists, including Sonny Rollins, Ornette Coleman, Dianne Reeves and Branford Marsalis, to discuss the recordings that most influence and touch them. Ratliff skillfully coaxes out a profound understanding of this most ephemeral and least transparent of the performing arts, and of the men and women themselves. Playful and keenly insightful, The Jazz Ear is a revelatory exploration of a unique way of making music.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece "Kind of Blue". Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In "The Jazz Ear", the acclaimed music critic Ben Ratliff sits down with jazz greats to discuss recordings by the musicians who most influenced them. In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually. Expanding on his popular interviews for "The New York Times", Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music. Playful and keenly insightful, "The Jazz Ear" is a revelatory exploration of a unique way of making and hearing music.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: New. Jazz is conducted almost wordlessly: John Coltrane rarely told his quartet what to do, and Miles Davis famously gave his group only the barest instructions before recording his masterpiece "Kind of Blue". Musicians are often loath to discuss their craft for fear of destroying its improvisational essence, rendering jazz among the most ephemeral and least transparent of the performing arts. In "The Jazz Ear", the acclaimed music critic Ben Ratliff sits down with jazz greats to discuss recordings by the musicians who most influenced them. In the process, he skillfully coaxes out a profound understanding of the men and women themselves, the context of their work, and how jazz from horn blare to drum riffs created conceptually. Expanding on his popular interviews for "The New York Times", Ratliff speaks with Sonny Rollins, Ornette Coleman, Branford Marsalis, Dianne Reeves, Wayne Shorter, Joshua Redman, and others about the subtle variations in generation, training, and attitude that define their music. Playful and keenly insightful, "The Jazz Ear" is a revelatory exploration of a unique way of making and hearing music.…