9780807121399 - sleeping with the boss: female subjectivity and narrative pattern in robert penn warren di ferriss, lucy (10 risultati)
Lingua: Inglese
Editore: Baton Rouge: Louisiana State University Press 1997
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1st printing of 1st edition. A clean fine trade hard cover book in fine dust jacket.
Lingua: Inglese
Editore: Louisiana State Univ Pr, Baton Rouge And London 1997
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Printing. Southern Literary Studies.
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 155 pages.
Lingua: Inglese
Editore: Louisiana State Univ Pr, Baton Rouge, Louisiana, U.S.A. 1997
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. First Edition, First Printing. Published by Louisiana State University Press, 1997. Octavo. Book is very good; with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Light spotting to page ends. Dust jacket i…s very good with very light shelf wear and a light crease on left flap. 155 pages. ISBN: 9780807121399. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
Lingua: Inglese
Editore: Louisiana State University Press, Baton Rouge and London 1997
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Hard Cover. Condizione: As New. Condizione sovraccoperta: As New. First Edition First Printing. 155pp indexed. Critique of the women characters in Warren's writing. (loc 1114/1).
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Condizione: New. Opens up the feminist critical project by showing that author gender has no bearing on the creation of feminine-structured narrative. Moreover, by exposing a considerable female consciousness in the major fictional works of Robert Penn Warren, it departs .
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Buch. Condizione: Neu. Neuware - To her self-posed questions ''What is a woman's narrative '' and ''Why Warren '' Lucy Ferriss responds with an acutely perceptive examination that is groundbreaking in two regards. Sleeping with the Boss opens up the feminist critical project by showing that author gender has no bearing on the cr…eation of feminine-structured narrative. Moreover, by exposing a considerable ''female consciousness'' in the major fictional works of Robert Penn Warren, it departs dramatically from previous criticism of Warren.Ferriss, a novelist as well as a critic, expands on narrative poetics to suggest that female subjectivity is the central concept in defining a woman's narrative. Specifically, the subjective voice of a female character is present to such a degree that the traditional structures of masculine narrative (described as linear, forward moving, and authoritative) can no longer hold. Leapfrogging over existing feminist theory, she asserts that such female consciousness may permeate the writing of men as well as women.Within Warren's traditional masculine narrative style, Ferriss detects the complicating presence of female voice, with its potential to alter the focus and direction of the plot. As she demonstrates, the degree to which Warren distances himself from or steps inside his female characters' consciousness varies enormously across his career. Still, his novels reveal the consistent pattern of a major woman character in a liaison with a wealthy or powerful man; those sexual relationships, Ferriss maintains, are pivotal in establishing female personae whose subjective effect on the narrative disturbs or overturns conventional readings of the novels' meaning. For example, she presents a startlingly subversive analysis of the character Amantha Starr (Band of Angels), heretofore viewed as a simpering victim by critics. In addition to nine of Warren's novels, Ferriss critiques his book-length poem, Brother to Dragons, which in the powerful voice of Lucy Lewis exhibits the moral and narrative limitations of the male speakers even as that female voice is itself thwarted and cut off. She also explores Warren's frequent motif of the female empty-handed gesture, reading in it the author's own assumption of the feminine perspective by expressing his abdication of narrative authority and ambivalence toward ascribing meaning.Sleeping with the Boss represents a new generation of Warren scholarship, revitalizing the poet-novelist's complex oeuvre in light of contemporary concerns. It provokes a radical rethinking of some of the plot elements taken for granted by other critics of Warren's work and offers a wide range of new ways to encounter his female characters.
