ISBN: 9780812275629 - ernst kurth as theorist and analyst (13 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Previous owners name marked on first blank page, otherwise an overall unmarked and undamaged copy with an intact dust jacket.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0812275624.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. ix, 258 pp. Hardback with dust cover. Condition: Very good. Dust jacket condition: Very good. Dust jacket slightly scuffed at edges. A clean copy without annotations or markings.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Hardcover, in dust jacket. Jacket faded at spine and upper edges; slight remnants of bookplate/label to front endpaper. Otherwise clean, tight and unmarked. Very neat -- a sound copy. Size: 4to - over 9¾ - 12" tall. Book.

Condizione: New.

Condizione: New.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. No detailed description available for Ernst Kurth as Theorist and Analyst .&Uumlber den AutorLee A. Rothfarb.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 10.25x7.50x1.00 inches. In Stock.

Buch. Condizione: Neu. Neuware - Ernst Kurth as Theorist and Analyst is the first book length study devoted to the writings of one of this century's most important music theorists. In contrast to previous discussions, Lee A. Rothfarb's study explains Kurth's theories in light of his analyses of specific musical examples. Unlike many of his contemporaries, Kurth approached music primarily from a cognitive rather than a purely technical viewpoint. In a unique kind of experiential analysis, he examined the psychological foundations of counterpoint, harmony, and form, and considered the affective, as opposed to solely structural or syntactic, effects of melody, chord, interval, and tone. The introduction provides a biographical sketch of Kurth, based on archival research and personal interview with his widow, son, and many of his doctoral students. Rothfarb also discusses the intellectual currents of the late nineteenth and early twentieth centuries, both musical and nonmusical, which shaped Kurth's outlook. Eight chapters summarize the main ideas of Grundlagen des linearen Kontrapunkts and Romantische Harmonik and show the directions Kurth took in his later works, Bruckner and Musikpsychologie. A final chapter identified his influence on several of his well-known contemporaries. Ernst Kurth as Theorist and Analyst will interest music theorists, musicologists, and advanced students of music theory.…