Lingua: Inglese
Editore: The University Press of Kentucky, Lexington, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Although the mainstream American film industry accepted the form of censorship known as "prior restraint," the independent distributors and exhibitors challenged the government censors in court. In Freedom of the Screen, Laura Wittern-Keller tells the story of those who fought prior restraint on movies. By drawing attention to this inequity -- film was the only medium so constricted by the 1950s -- the distributors pushed a reluctant judiciary to square its interpretation of movie expression with the rights of other media. As these legal interpretations gradually became more sympathetic to artistic freedom -- largely because of the independent distributors' lawsuits -- Hollywood was free to discard its outmoded restraints and deliver provocative, relevant movies to American audiences. Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: University Press of Kentucky, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 43,05
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: University Press of Kentucky, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 45,22
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: The University Press of Kentucky, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 54,49
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: University Press of Kentucky, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: The Book Spot, Sioux Falls, MN, U.S.A.
Hardcover. Condizione: New.
Lingua: Inglese
Editore: The University Press of Kentucky, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: Kennys Bookstore, Olney, MD, U.S.A.
EUR 67,39
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
Da: moluna, Greven, Germania
EUR 54,14
Quantità: Più di 20 disponibili
Aggiungi al carrelloGebunden. Condizione: New. Über den AutorLaura Wittern-Keller is visiting assistant professor of history and public policy at the University at Albany (SUNY) and the recipient of the New York State Archives Award for Excellence in Research. She also lives in .
Lingua: Inglese
Editore: The University Press of Kentucky, Lexington, 2008
ISBN 10: 0813124514 ISBN 13: 9780813124513
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 86,02
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: new. Hardcover. Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Although the mainstream American film industry accepted the form of censorship known as "prior restraint," the independent distributors and exhibitors challenged the government censors in court. In Freedom of the Screen, Laura Wittern-Keller tells the story of those who fought prior restraint on movies. By drawing attention to this inequity -- film was the only medium so constricted by the 1950s -- the distributors pushed a reluctant judiciary to square its interpretation of movie expression with the rights of other media. As these legal interpretations gradually became more sympathetic to artistic freedom -- largely because of the independent distributors' lawsuits -- Hollywood was free to discard its outmoded restraints and deliver provocative, relevant movies to American audiences. Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.