Isbn: 9780813136042 - the philosophy of david cronenberg (14 risultati)

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  • Lingua: Inglese

    Editore: University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Lingua: Inglese

    Editore: University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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  • Lingua: Inglese

    Editore: University Press of Kentucky 5/23/2012, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardback or Cased Book. Condizione: New. The Philosophy of David Cronenberg. Book.

  • Lingua: Inglese

    Editore: University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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  • Lingua: Inglese

    Editore: The University Press of Kentucky, US, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardback. Condizione: New. Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise.The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

  • Lingua: Inglese

    Editore: The University Press of Kentucky, US, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardback. Condizione: New. Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise.The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

  • Lingua: Inglese

    Editore: University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK

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    Condizione: Usato - Come nuovo

    EUR 46,48

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    Condizione: As New. Unread book in perfect condition.

  • Lingua: Inglese

    Editore: University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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  • Lingua: Inglese

    Editore: The University Press of Kentucky, US, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardback. Condizione: New. Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise.The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

  • Lingua: Inglese

    Editore: UNIV PR OF KENTUCKY, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Condizione: New. Law and Society in the South reconstructs eight pivotal legal disputes heard in North Carolina courts between the 1830s and the 1970s. Each case offers a vivid portrait of the laws, litigants, lawyers, judges, and affected communities, providing a better.

  • Lingua: Inglese

    Editore: University Press Of Kentucky Mai 2012, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH

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    Buch. Condizione: Neu. Neuware - Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise. The.

  • Lingua: Inglese

    Editore: The University Press of Kentucky, US, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardback. Condizione: New. Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise.The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

  • Lingua: Inglese

    Editore: The University Press of Kentucky, 2012

    0813136040 / 9780813136042

    Serie: Libro 11 di 27 - The Philosophy of Popular Culture

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    Hardcover. Condizione: New. Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise.The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.