Isbn: 9780813193236 - the merchant prince of poverty row: harry cohn of columbia pictures (9 risultati)

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Fine. First softcover edition. Softcover in illustrated wraps. First paperback printing. Book is in fine, As New condition, crisp and clean and unread. Photo illustrations. 8vo. 218 pp. Including index.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780813193236.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780813193236.

Paperback. Condizione: Brand New. 218 pages. 9.50x6.25x0.75 inches. In Stock.

Condizione: New. Literary fiction has presented readers with centuries of memorable women in trouble. Here, the author of the widely praised and beloved Come and Go, Molly Snow, Kentucky novelist Mary Ann Taylor-Hall, offers Jo Sinclair, a long-term single parent of four.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condizione: Neu. Neuware - Ben Hecht called him 'White Fang,' and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could see actresses as either 'broads' or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his brother, Jack), Bernard Dick offers a radically different portrait of the man who ran Columbia Pictures--and who 'had to be boss'--from 1932 to 1958.…