Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Da: Martin Nevers- used & rare books, Oxford, FL, U.S.A.
Membro dell'associazione: FABA
Soft cover. Condizione: Very Good. Pictorial front cover. A few B/W illustrations scattered through the book. A few pages have some red underlining to several lines. Photos of book on request.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Rutgers University Press July 1996, 1996
ISBN 10: 0813522765 ISBN 13: 9780813522760
Da: Burke's Book Store, Memphis, TN, U.S.A.
Trade Paperback. Condizione: Very Good. Light edgewear with minor corner bumps, underlining, else tight and clean. Illus.
Da: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Textbooks_Source, Columbia, MO, U.S.A.
paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Da: TotalitarianMedia, Los Angeles, CA, U.S.A.
Soft cover. Condizione: Near Fine. No Jacket. The Birth of Whiteness: Race and the Emergence of United States Cinema. Daniel Bernardi (ed.) Rutgers University Press, 1996. 378p. trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarkedISBN 10: 0813522765ISBN 13: 978081352276021.00.
Da: Textbooks_Source, Columbia, MO, U.S.A.
paperback. Condizione: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Da: Corner of a Foreign Field, Tokyo, TOKYO, Giappone
EUR 22,51
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. No Jacket. 1996.Softcover.Very good condition.378 pages.Ships from Japan.Usually ships in 1-2 working days.
Lingua: Inglese
Editore: MW - Rutgers University Press, 1996
ISBN 10: 0813522765 ISBN 13: 9780813522760
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 34,90
Quantità: 1 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Chicago press, 1996
ISBN 10: 0813522765 ISBN 13: 9780813522760
Da: INDOO, Avenel, NJ, U.S.A.
EUR 43,47
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Lingua: Inglese
Editore: Rutgers University Press, New Brunswick NJ, 1996
ISBN 10: 0813522765 ISBN 13: 9780813522760
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant? Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white.The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume. This anthology on race in early cinema examines the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. It addresses such subjects as miscegenation and assimilation and their impact on early cinema. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Revaluation Books, Exeter, Regno Unito
EUR 42,37
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 378 pages. 9.25x6.00x1.00 inches. In Stock.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 45,51
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. This anthology on race in early cinema examines the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. It addresses such subjects as miscegenation and assimilation and their impact on early cinema. Editor(s): Bernardi, Daniel. Num Pages: 350 pages, 66 b&w illustrations. BIC Classification: 1KBB; APF; JFC; JFSL. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 225 x 151 x 27. Weight in Grams: 621. . 1996. Reprint. Paperback. . . . .
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 40,40
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 40,41
Quantità: 1 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 43,64
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. This anthology on race in early cinema examines the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. It addresses such subjects as miscegenation and assimilation and their impact on early cinema. Editor(s): Bernardi, Daniel. Num Pages: 350 pages, 66 b&w illustrations. BIC Classification: 1KBB; APF; JFC; JFSL. Category: (G) General (US: Trade); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 225 x 151 x 27. Weight in Grams: 621. . 1996. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Rutgers University Press, New Brunswick NJ, 1996
ISBN 10: 0813522765 ISBN 13: 9780813522760
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 86,78
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant? Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white.The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume. This anthology on race in early cinema examines the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. It addresses such subjects as miscegenation and assimilation and their impact on early cinema. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.