Isbn: 9780814781395 - perverse spectators: the practices of film reception (27 risultati)

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  • Lingua: Inglese

    Editore: NYU Press, 2000

    081478139X / 9780814781395

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    Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

  • Lingua: Inglese

    Editore: NYU Press, 2000

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    Soft cover. Condizione: Very Good. 1st Edition. 242 pages, index. Minor wear, text clean.

  • Lingua: Inglese

    Editore: New York University Press, c.2000,, 2000

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    paperback. Condizione: Very Good. New York University Press, c.2000, 1st.trade paperbk.prtg., 242pp., VG $.

  • Lingua: Inglese

    Editore: New York University Press, 2000

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    Softcover. Condizione: Fine Crisp, bright, clean. no owners' marks; as new. vi, 242pp. incl. index..

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    Lingua: Inglese

    Editore: NYU Press, 2000

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    Condizione: Good. Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium. Condition (Good): Average used copy with visible wear. All pages present and readable. May include small tears, creasing, rubbing, or previous owner marks, but remains structurally sound.…

  • Lingua: Inglese

    Editore: NYU Press, 2000

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  • Lingua: Inglese

    Editore: NYU Press, 2000

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  • Lingua: Inglese

    Editore: New York University Press, US, 2000

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    Paperback. Condizione: New. Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.…

  • Lingua: Inglese

    Editore: New York University Press, 2000

    081478139X / 9780814781395

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  • Lingua: Inglese

    Editore: NYU Press, 2000

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  • Lingua: Inglese

    Editore: New York University Press 7/1/2000, 2000

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    Paperback or Softback. Condizione: New. Perverse Spectators. Book.

  • Lingua: Inglese

    Editore: New York University Press, 2000

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    Condizione: New. This work shows that studying the interpretative methods of spectators in their historical contexts is necessary to understand the media's role in culture and in our personal lives. This approach is applied to topics such as depictions of violence and demonstrated through works like "JFK". Num Pages: 248 pages, black & white illustrations. BIC Classification: APF; JFC; JFD; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 14. Weight in Grams: 330. . 2000. Paperback. . . . .…

  • Lingua: Inglese

    Editore: New York University Press, 2000

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  • Lingua: Inglese

    Editore: New York University Press, 2000

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  • Lingua: Inglese

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  • Lingua: Inglese

    Editore: NYU Press 2000-07-31, 2000

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  • Lingua: Inglese

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: NYU Press, 2000

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  • Lingua: Inglese

    Editore: New York University Press NYU Press, 2000

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    Condizione: New. pp. 248.

  • Lingua: Inglese

    Editore: New York University Press, 2000

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    Condizione: New. This work shows that studying the interpretative methods of spectators in their historical contexts is necessary to understand the media's role in culture and in our personal lives. This approach is applied to topics such as depictions of violence and demonstrated through works like "JFK". Num Pages: 248 pages, black & white illustrations. BIC Classification: APF; JFC; JFD; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 154 x 14. Weight in Grams: 330. . 2000. Paperback. . . . . Books ship from the US and Ireland.…

  • Lingua: Inglese

    Editore: New York Univ Pr, 2000

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    Paperback. Condizione: Brand New. 248 pages. 8.75x5.75x0.75 inches. In Stock.

  • Lingua: Inglese

    Editore: New York University Press, US, 2000

    081478139X / 9780814781395

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    Paperback. Condizione: New. Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.…

  • Lingua: Inglese

    Editore: NEW YORK UNIV PR, 2000

    081478139X / 9780814781395

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    Condizione: New. This work shows that studying the interpretative methods of spectators in their historical contexts is necessary to understand the media s role in culture and in our personal lives. This approach is applied to topics such as depictions of violence and demon.

  • Lingua: Inglese

    Editore: New York University Press, 2000

    081478139X / 9780814781395

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    Taschenbuch. Condizione: Neu. Perverse Spectators | The Practices of Film Reception | Janet Staiger | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2000 | New York University Press | EAN 9780814781395 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

  • Lingua: Inglese

    Editore: New York Univ Pr, 2000

    081478139X / 9780814781395

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    Paperback. Condizione: Brand New. 248 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand.

  • Lingua: Inglese

    Editore: New York University Press Jul 2000, 2000

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    Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.

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    Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium. 248 pp. Englisch.…

  • Lingua: Inglese

    Editore: New York University Press, 2000

    081478139X / 9780814781395

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    Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires. In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like JFK, The Silence of the Lambs, The Texas Chain Saw Massacre, Psycho, and A Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information. Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies. Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.…