9780816626779 - allegories of underdevelopment: aesthetics and politics in modern brazilian cinema di xavier, ismail (16 risultati)
Lingua: Inglese
Editore: Univ Of Minnesota Press (edition First Edition), 1997
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Da: BooksRun, Philadelphia, PA, U.S.A.BooksRun
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Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
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Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Da: Shakespeare Book House, Rockford, IL, U.S.A.Shakespeare Book House
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Condizione: very_good. The book is clean and shows minor shelf ware.
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Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Condizione: New. Brand New.
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Da: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.The Haunted Bookshop, LLC
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Softcover. no owners'; square, uncreased spine; soft cover has thin lines of surface wear; at the left front and right rear and shallow edge wear around corners; Signed by Author; Very Good Signed and dated by the author on the first (half-title) page, inscription to a named individual. Crisp, bright, clean pages marks at the le…ft front and right rear and shallow edge wear around corners; otherwise very well-kept. viii, 285pp incl. index.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 296.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 1st edition. 296 pages. 9.25x6.25x0.75 inches. In Stock.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. Num Pages: 256 pages, Illustrations. BIC Classification: 1KLSB; 3JJPK; 3JJPL; APF; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 150 x 228 x 15. Weight in Grams: 394. . 1997. Paperback. . . . .
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New. pp. 296.
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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EUR 37,63
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Condizione: New. Num Pages: 256 pages, Illustrations. BIC Classification: 1KLSB; 3JJPK; 3JJPL; APF; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 150 x 228 x 15. Weight in Grams: 394. . 1997. Paperback. . . . . Books ship from the US and Ireland.
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Da: Antiquarische Fundgrube e.U., Wien, AustriaAntiquarische Fundgrube e.U.
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Softcover/Paperback. Auflage: 1. 285 S. Kanten etw. bestoßen, Einband etw. berieben, Buchschnitt etw. bestaubt // N05 9780816626779 *.* Sprache: Englisch Gewicht in Gramm: 490.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Examines the centrality of Cinema Novo to filmmaking in Brazil.'A camera in the hand and ideas in the head' was the primary axiom of the young originators of Brazil's Cinema Novo. This movement of the 1960s and early 1970s overcame… technical constraints and produced films on minimal budgets. In Allegories of Underdevelopment, Ismail Xavier examines a number of these films, arguing that they served to represent a nation undergoing a political and social transformation into modernity.Its best-known voice, filmmaker Glauber Rocha claimed that Cinema Novo was driven by an 'aesthetics of hunger.' This scarcity of means demanded new cinematic approaches that eventually gave rise to a legitimate and unique Third World cinema. Xavier stands in the vanguard of scholars presenting and interpreting these revolutionary films-from the masterworks of Rocha to the groundbreaking experiments of Julio Bressane, RogÉrio Sganzerla, Andrea Tonacci and Arthur Omar-to an English-speaking audience. Focusing on each filmmaker's use of narrative allegories for the 'conservative modernization' Brazil and other nations underwent in the 1960s and 1970s, Xavier asks questions relating to the connection between film and history. He examines the way Cinema Novo transformed Brazil's cultural memory and charts the controversial roles that Marginal Cinema and Tropicalism played in this process. Among the films he discusses are Black God, White Devil, Land in Anguish, Red Light Bandit, MacunaÍma, AntÔnio das Mortes, The Angel Is Born, and Killed the Family and Went to the Movies.A compelling chronicle of the history of modern Brazilian cinema, Allegories of Underdevelopment brings to light the work of many filmmakers who are virtually unknown in the English-speaking world. 296 pp. Englisch.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Examines the centrality of Cinema Novo to filmmaking in Brazil.'A camera in the hand and ideas in the head' was the primary axiom of the young originators of Brazil's Cinema Novo. This movement of the 1960s and early 1970s overcame tech…nical constraints and produced films on minimal budgets. In Allegories of Underdevelopment, Ismail Xavier examines a number of these films, arguing that they served to represent a nation undergoing a political and social transformation into modernity.Its best-known voice, filmmaker Glauber Rocha claimed that Cinema Novo was driven by an 'aesthetics of hunger.' This scarcity of means demanded new cinematic approaches that eventually gave rise to a legitimate and unique Third World cinema. Xavier stands in the vanguard of scholars presenting and interpreting these revolutionary films-from the masterworks of Rocha to the groundbreaking experiments of Julio Bressane, RogÉrio Sganzerla, Andrea Tonacci and Arthur Omar-to an English-speaking audience. Focusing on each filmmaker's use of narrative allegories for the 'conservative modernization' Brazil and other nations underwent in the 1960s and 1970s, Xavier asks questions relating to the connection between film and history. He examines the way Cinema Novo transformed Brazil's cultural memory and charts the controversial roles that Marginal Cinema and Tropicalism played in this process. Among the films he discusses are Black God, White Devil, Land in Anguish, Red Light Bandit, MacunaÍma, AntÔnio das Mortes, The Angel Is Born, and Killed the Family and Went to the Movies.A compelling chronicle of the history of modern Brazilian cinema, Allegories of Underdevelopment brings to light the work of many filmmakers who are virtually unknown in the English-speaking world.
