Isbn: 9780816642328 - shadows, specters, shards: making history in avant-garde film (16 risultati)

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  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Paperback. Condizione: Good. Avant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Skoller challenges this myth, arguing that avant-garde films more accurately display the complex interplay between past events and our experience of the present than conventional documentaries and historical films. Shadows, Specters, Shards examines a group of experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up historical events such as the Holocaust, Latin American independence struggles, and urban politics. Identifying a cinema of evocation rather than representation, these films call attention to the unrepresentable aspects of history that profoundly impact the experience of everyday life. Making use of the critical theories of Walter Benjamin and Gilles Deleuze, among others, Skoller analyzes various narrative strategies - allegory, sideshadowing, testimony, and multiple temporalities - that uncover competing perspectives and gaps in historical knowledge often ignored in conventional film. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Skoller reveals how a nuanced understanding of the past is inextricably linked to the artistry of image making and storytelling.…

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Paperback. Condizione: Good. Avant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Skoller challenges this myth, arguing that avant-garde films more accurately display the complex interplay between past events and our experience of the present than conventional documentaries and historical films. Shadows, Specters, Shards examines a group of experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up historical events such as the Holocaust, Latin American independence struggles, and urban politics. Identifying a cinema of evocation rather than representation, these films call attention to the unrepresentable aspects of history that profoundly impact the experience of everyday life. Making use of the critical theories of Walter Benjamin and Gilles Deleuze, among others, Skoller analyzes various narrative strategies - allegory, sideshadowing, testimony, and multiple temporalities - that uncover competing perspectives and gaps in historical knowledge often ignored in conventional film. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Skoller reveals how a nuanced understanding of the past is inextricably linked to the artistry of image making and storytelling.…

  • Lingua: Inglese

    Editore: Univ Of Minnesota Press, 2005

    081664232X / 9780816642328

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    Paperback. Condizione: Good.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Lingua: Inglese

    Editore: University of Chicago press, 2005

    081664232X / 9780816642328

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  • Lingua: Inglese

    Editore: Univ Of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

  • Lingua: Inglese

    Editore: University of Minnesota Press 8/14/2005, 2005

    081664232X / 9780816642328

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    Paperback or Softback. Condizione: New. Shadows, Specters, Shards: Making History in Avant-Garde Film. Book.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: New. Num Pages: 264 pages, 41ill. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 178 x 16. Weight in Grams: 481. . 2005. Paperback. . . . .

  • Lingua: Inglese

    Editore: Univ of Minnesota Pr, 2005

    081664232X / 9780816642328

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    Paperback. Condizione: Brand New. 1st edition. 233 pages. 10.50x7.00x0.75 inches. In Stock.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: New. Num Pages: 264 pages, 41ill. BIC Classification: APFA. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 178 x 16. Weight in Grams: 481. . 2005. Paperback. . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: University Of Minnesota Press, 2005

    081664232X / 9780816642328

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    Taschenbuch. Condizione: Neu. Neuware - Avant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Skoller challenges this myth, arguing that avant-garde films more accurately display the complex interplay between past events and our experience of the present than conventional documentaries and historical films. Shadows, Specters, Shards examines a group of experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up historical events such as the Holocaust, Latin American independence struggles, and urban politics. Identifying a cinema of evocation rather than representation, these films call attention to the unrepresentable aspects of history that profoundly impact the experience of everyday life. Making use of the critical theories of Walter Benjamin and Gilles Deleuze, among others, Skoller analyzes various narrative strategies - allegory, sideshadowing, testimony, and multiple temporalities - that uncover competing perspectives and gaps in historical knowledge often ignored in conventional film. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Skoller reveals how a nuanced understanding of the past is inextricably linked to the artistry of image making and storytelling.…

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Kartoniert / Broschiert. Condizione: New. Demonstrates how avant-garde films better reflect the complexity of history than conventional film.KlappentextrnrnAvant-garde films are often dismissed as obscure or disconnected from the realities of social and political history. Jeffrey Sk.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: New. Print on Demand pp. 264.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: New. Print on Demand pp. 264 Index.

  • Lingua: Inglese

    Editore: University of Minnesota Press, 2005

    081664232X / 9780816642328

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    Condizione: New. PRINT ON DEMAND pp. 264 Acknowledgements.