9780816667659 - the insect and the image: visualizing nature in early modern europe, 1500-1700 di neri, janice (23 risultati)
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Paperback or Softback. Condizione: New. The Insect and the Image. Book.
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Condizione: New. pp. 280 82 Illus.
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Paperback. Condizione: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, t…he decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Condizione: New. 2011. Paperback. Num Pages: 280 pages, 82 b&w illustrations. BIC Classification: 1D; 3JB; 3JD; ACND; PDX. Category: (G) General (US: Trade). Dimension: 178 x 251 x 15. Weight in Grams: 552. . . . . .
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Paperback. Condizione: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, t…he decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Condizione: New. 2011. Paperback. Num Pages: 280 pages, 82 b&w illustrations. BIC Classification: 1D; 3JB; 3JD; ACND; PDX. Category: (G) General (US: Trade). Dimension: 178 x 251 x 15. Weight in Grams: 552. . . . . . Books ship from the US and Ireland.
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Condizione: New. pp. 280 Index.
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Paperback. Condizione: Brand New. 280 pages. 9.80x6.90x0.60 inches. In Stock.
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, t…he decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. The Insect and the Image | Visualizing Nature in Early Modern Europe, 1500-1700 | Janice Neri | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2011 | University of Minnesota Press | EAN 9780816667659 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDE…RLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images-in illuminated manuscripts, still life paintings, t…he decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this "specimen logic" and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
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Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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Paperback. Condizione: New.
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Paperback. Condizione: Brand New. 280 pages. 9.80x6.90x0.60 inches. In Stock. This item is printed on demand.
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Da: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, GermaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifest…ed in visual images-in illuminated manuscripts, still life paintings, the decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this 'specimen logic' and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today. 264 pp. Englisch.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND pp. 280 Acknowledgements.
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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in… visual images-in illuminated manuscripts, still life paintings, the decorative arts, embroidery, textile design, and cabinets of curiosity. In The Insect and the Image, Janice Neri explores the ways in which such imagery defined the insect as a proper subject of study for Europeans of the early modern period.It was not until the sixteenth century that insects began to appear as the sole focus of paintings and drawings-as isolated objects, or specimens, against a blank background. The artists and other image makers Neri discusses deployed this 'specimen logic' and so associated themselves with a mode of picturing in which the ability to create a highly detailed image was a sign of artistic talent and a keenly observant eye. The Insect and the Image shows how specimen logic both reflected and advanced a particular understanding of the natural world-an understanding that, in turn, supported the commodification of nature that was central to global trade and commerce during the early modern era. Revealing how sixteenth- and seventeenth-century artists and image makers shaped ideas of the natural world, Neri's work enhances our knowledge of the convergence of art, science, and commerce today.
