9780816678037 - In Search of a New Image of Thought: Gilles Deleuze and Philosophical Expressionism di Lambert, Gregg (23 risultati)

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Condizione: New. Num Pages: 256 pages, black & white illustrations. BIC Classification: HPX. Category: (G) General (US: Trade). Dimension: 216 x 138 x 16. Weight in Grams: 316. . 2012. Paperback. . . . .

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Condizione: as new. Minneapolis, MN. : Univ of Minnesota Press, 2012. Paperback. 256 pp. English text. Condition : as new. - Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this "the image of thought." Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the "tangled history" of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature, The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image--particularly in The Time-Image. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy? By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term "Deleuzian." However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: "not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.'" Condition : as new copy. ISBN 9780816678037. Keywords : PHILOSOPHY, Deleuze, Gilles (1925-1995).

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Condizione: New. Num Pages: 256 pages, black & white illustrations. BIC Classification: HPX. Category: (G) General (US: Trade). Dimension: 216 x 138 x 16. Weight in Grams: 316. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: Brand New. 256 pages. 8.50x5.50x1.50 inches. In Stock.

Paperback. Condizione: Brand New. 256 pages. 8.50x5.50x1.50 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Felix Guattari. Lambert, like Deleuze, calls this "the image of thought."Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the "tangled history" of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature, The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image-particularly in The Time-Image. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy?By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term "Deleuzian." However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: "not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.'" Gregg Lambert demonstrates that since the publication of Proust andSigns in 1964 Gilles Deleuze's search for a new means of philosophicalexpression became a central theme of all his oeuvre, including thosewritten with psychoanalyst Felix Guattari. Lambert, like Deleuze, callsthis "the image of thought." This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Print on Demand pp. 256.

Condizione: New. Print on Demand pp. 256 Index.

Condizione: New. PRINT ON DEMAND pp. 256 Acknowledgements.

Paperback. Condizione: new. Paperback. Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Felix Guattari. Lambert, like Deleuze, calls this "the image of thought."Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the "tangled history" of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature, The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image-particularly in The Time-Image. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy?By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term "Deleuzian." However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: "not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.'" Gregg Lambert demonstrates that since the publication of Proust andSigns in 1964 Gilles Deleuze's search for a new means of philosophicalexpression became a central theme of all his oeuvre, including thosewritten with psychoanalyst Felix Guattari. Lambert, like Deleuze, callsthis "the image of thought." This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Gregg Lambert demonstrates that since the publication of Proust andSigns in 1964 Gilles Deleuze s search for a new means of philosophicalexpression became a central theme of all his oeuvre, including thosewritten with psychoanalyst Felix Guattari. Lambert, .

Taschenbuch. Condizione: Neu. In Search of a New Image of Thought | Gilles Deleuze and Philosophical Expressionism | Gregg Lambert | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2012 | University of Minnesota Press | EAN 9780816678037 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze's search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this 'the image of thought.'Lambert's exploration begins with Deleuze's earliest exposition of the Proustian image of thought and then follows the 'tangled history' of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature, The Rhizome (which serves as an introduction to Deleuze's A Thousand Plateaus), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze's studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image-particularly in The Time-Image. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy By connecting the various appearances of the image of thought that permeate Deleuze's entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term 'Deleuzian.' However, Lambert argues, this aspect of the philosopher's vision has not been fully appreciated in terms of its significance for philosophy: 'not only 'for today' but, to quote Nietzsche, meaning also 'for tomorrow, and for the day after tomorrow.''.