ISBN: 9780817362461 - no one to meet: imitation and originality in the songs of bob dylan (27 risultati)

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Paperback. Condizione: new. Paperback. Redefining Bob Dylan as a literary giant, tracing his songwriting to classical and Renaissance traditions of poetic imitation. With rare manuscripts and fresh insights, Raphael Falco reveals Dylan's artistry as both innovative and timelesscementing his place in the canon of great writers. Winner of the Elizabeth Agee Prize in American Literature The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way to understand his unique and often controversial methods of composition. Dylan expert Raphael Falco traces the similarities between the way Dylan borrows, digests, and transforms traditional songs and what Renaissance writers called imitatio. Although Dylan's lyrical postures may suggest an avant-garde consciousness, No One to Meet shows that Dylan's creative process creatively expands methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer. Redefining Bob Dylan as a literary giant, tracing his songwriting to classical and Renaissance traditions of poetic imitation. With rare manuscripts and fresh insights, Raphael Falco reveals Dylan's artistry as both innovative and timeless--cementing his place in the canon of great writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback or Softback. Condizione: New. No One to Meet: Imitation and Originality in the Songs of Bob Dylan. Book.

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Paperback. Condizione: Brand New. 272 pages. 9.01x6.01x9.00 inches. In Stock.

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Paperback. Condizione: Brand New. 272 pages. 9.01x6.01x9.00 inches. In Stock.

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Paperback. Condizione: new. Paperback. Redefining Bob Dylan as a literary giant, tracing his songwriting to classical and Renaissance traditions of poetic imitation. With rare manuscripts and fresh insights, Raphael Falco reveals Dylan's artistry as both innovative and timelesscementing his place in the canon of great writers. Winner of the Elizabeth Agee Prize in American Literature The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way to understand his unique and often controversial methods of composition. Dylan expert Raphael Falco traces the similarities between the way Dylan borrows, digests, and transforms traditional songs and what Renaissance writers called imitatio. Although Dylan's lyrical postures may suggest an avant-garde consciousness, No One to Meet shows that Dylan's creative process creatively expands methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer. Redefining Bob Dylan as a literary giant, tracing his songwriting to classical and Renaissance traditions of poetic imitation. With rare manuscripts and fresh insights, Raphael Falco reveals Dylan's artistry as both innovative and timeless--cementing his place in the canon of great writers. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. No One to Meet | Imitation and Originality in the Songs of Bob Dylan | Raphael Falco | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | University of Alabama Press | EAN 9780817362461 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Redefining Bob Dylan as a literary giant, tracing his songwriting to classical and Renaissance traditions of poetic imitation. With rare manuscripts and fresh insights, Raphael Falco reveals Dylan's artistry as both innovative and timeless-cementing his place in the canon of great writers. Winner of the Elizabeth Agee Prize in American Literature The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way to understand his unique and often controversial methods of composition. Dylan expert Raphael Falco traces the similarities between the way Dylan borrows, digests, and transforms traditional songs and what Renaissance writers called imitatio. Although Dylan's lyrical postures may suggest an avant-garde consciousness, No One to Meet shows that Dylan's creative process creatively expands methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer. 272 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Redefining Bob Dylan as a literary giant, tracing his songwriting to classical and Renaissance traditions of poetic imitation. With rare manuscripts and fresh insights, Raphael Falco reveals Dylan's artistry as both innovative and timeless-cementing his place in the canon of great writers. Winner of the Elizabeth Agee Prize in American Literature The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way to understand his unique and often controversial methods of composition. Dylan expert Raphael Falco traces the similarities between the way Dylan borrows, digests, and transforms traditional songs and what Renaissance writers called imitatio. Although Dylan's lyrical postures may suggest an avant-garde consciousness, No One to Meet shows that Dylan's creative process creatively expands methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan's previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan's musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan's songs and allows us to celebrate him as what he truly is: a great writer.…