Lingua: Inglese
Editore: University of Georgia Press, 2004
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: University of Georgia Press, 2004
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Lingua: Inglese
Editore: University of Georgia Press, Georgia, 2004
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Ever since slaves in America labored to produce food surfeit while enduring personal food shortage, says Andrew Warnes, African American writers have consistently drawn connections between hunger and illiteracy, and by extension between food and reading. This book investigates the juxtaposition of malnutrition and spectacular food abundance as a key trope of African American writing. Focusing on works by Zora Neale Hurston, Richard Wright, and Toni Morrison, Warnes considers how black characters respond with a wide variety of countermaneuvers to whites' attempts at regulating access to nourishment, whether physical or intellectual.What makes this trope so powerful, Warnes argues, is that it implicitly politicizes hunger, revealing it to be an avoidable, imposed condition. In Hurston's scenes of feasting and plenty in the utopian, all-black community of Eatonville; in Wright's refusal of stale bread and spoiled molasses from his white employer; and in Morrison's depiction of her characters' strategies of pilfering and foraging, we witness the implications of a kind of hunger that could be abolished were it not useful as a means of enforcing acquiescence, dependency, and docility. Throughout Hunger Overcome? Warnes relates his readings to the wider culture by drawing on such diverse sources as the slave autobiography Narrative of the Life of Frederick Douglass, Ntozake Shange's cookbook If I Can Cook / You Know God Can, Horace Cayton and St. Clair Drake's sociological study Black Metropolis, and Stanley Kramer's film Guess Who's Coming to Dinner? This book investigates the juxtaposition of malnutrition and spectacular food abundance as a key trope of African American writing. Warnes focuses on works by Zora Neale Hurston, Richard Wright, and Toni Morrison, and considers how black characters respond to whites' attempts at regulating access to nourishment, whether physical or intellectual. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: University of Georgia Press, 2003
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 52,60
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. African American writers have consistently drawn connections between hunger and illiteracy, and by extension between food and reading. This book investigates the juxtaposition of mulnutrition and spectacular food abundance as a key trope of African American writing. Num Pages: 232 pages, bibliography, index. BIC Classification: 1KBB; 2AB; 3JJ; DSBH; JFSL3. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 18. Weight in Grams: 354. . 2003. Paperback. . . . .
Da: Revaluation Books, Exeter, Regno Unito
EUR 57,08
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 232 pages. 8.75x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: University of Georgia Press, 2004
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. African American writers have consistently drawn connections between hunger and illiteracy, and by extension between food and reading. This book investigates the juxtaposition of mulnutrition and spectacular food abundance as a key trope of African American writing. Num Pages: 232 pages, bibliography, index. BIC Classification: 1KBB; 2AB; 3JJ; DSBH; JFSL3. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 18. Weight in Grams: 354. . 2003. Paperback. . . . . Books ship from the US and Ireland.
EUR 44,78
Quantità: 2 disponibili
Aggiungi al carrelloCondizione: New. African American writers have consistently drawn connections between hunger and illiteracy, and by extension between food and reading. This book investigates the juxtaposition of mulnutrition and spectacular food abundance as a key trope of African American.
Lingua: Inglese
Editore: University of Georgia Press, 2004
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.
Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Lingua: Inglese
Editore: University Of Georgia Press Feb 2003, 2003
ISBN 10: 0820325627 ISBN 13: 9780820325620
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 57,68
Quantità: 2 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Ever since slaves in America labored to produce food surfeit while enduring personal food shortage, says Andrew Warnes, African American writers have consistently drawn connections between hunger and illiteracy, and by extension between food and reading. This book investigates the juxtaposition of malnutrition and spectacular food abundance as a key trope of African American writing. Focusing on works by Zora Neale Hurston, Richard Wright, and Toni Morrison, Warnes considers how black characters respond with a wide variety of countermaneuvers to whites' attempts at regulating access to nourishment, whether physical or intellectual. What makes this trope so powerful, Warnes argues, is that it implicitly politicizes hunger, revealing it to be an avoidable, imposed condition. In Hurston's scenes of feasting and plenty in the utopian, all-black community of Eatonville; in Wright's refusal of stale bread and spoiled molasses from his white employer; and in Morrison's depiction of her characters' strategies of pilfering and foraging, we witness the implications of a kind of hunger that could be abolished were it not useful as a means of enforcing acquiescence, dependency, and docility. Throughout Hunger Overcome Warnes relates his readings to the wider culture by drawing on such diverse sources as the slave autobiography Narrative of the Life of Frederick Douglass, Ntozake Shange's cookbook If I Can Cook / You Know God Can, Horace Cayton and St. Clair Drake's sociological study Black Metropolis, and Stanley Kramer's film Guess Who's Coming to Dinner.