9780822319702 - gilles deleuze’s time machine di rodowick, david (33 risultati)
Lingua: Inglese
Editore: Duke University Press, 1997
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Lingua: Inglese
Editore: Duke University Press, 1997
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Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Lingua: Inglese
Editore: Duke University Press, 1997
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Duke University Press Books, 1997
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Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Lingua: Inglese
Editore: Duke University Press July 1997, 1997
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Trade Paperback. Condizione: Used - Very Good.
Lingua: Inglese
Editore: Duke University Press Books, 1997
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paperback. Condizione: Fine.
Altre immaginiLingua: Inglese
Editore: Duke University Press, 1997
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Soft cover. Condizione: As New. 1st Edition. Softcover volume, measuring approximately 6" x 9.5", is like new. xviii/258. "Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap b…y presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema"The Movement-Image" and "The Time-Image"in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other booksincluding his influential work with Félix GuattariRodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.".
Lingua: Inglese
Editore: Duke University Press (December 1997) 12/1/1997, 1997
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Da: Mahler Books, PFLUGERVILLE, TX, U.S.A.Mahler Books
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Paperback. Condizione: Very Good. This book is in very good condition; no remainder marks. It does have some shelfwear. Inside pages are clean.
Lingua: Inglese
Editore: Duke University Press, 1997
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paperback. Condizione: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN…so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
Lingua: Inglese
Editore: Duke University Press Books, 1997
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Da: Griffin Books, Stamford, CT, U.S.A.Griffin Books
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Paperback. Condizione: As New. As new clean tight and bright Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.
Lingua: Inglese
Editore: Duke University Press Books, 1997
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paperback. Condizione: New. Clean copy.
Lingua: Inglese
Editore: MD - Duke University Press, 1997
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Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 1997
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press, US, 1997
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Paperback. Condizione: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and imag…es. Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Lingua: Inglese
Editore: Duke University Press 7/10/1997, 1997
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Paperback or Softback. Condizione: New. Gilles Deleuze's Time Machine. Book.
Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 1997
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press, 1997
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his…philosophy of difference. Series: Post-Contemporary Interventions / Latin America in Translation. Num Pages: 280 pages, 41 black and white photographs, 5 figures. BIC Classification: APFA; HPCF. Category: (P) Professional & Vocational. Dimension: 236 x 193 x 20. Weight in Grams: 468. . 1997. Paperback. . . . .
Lingua: Inglese
Editore: Duke University Press, US, 1997
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Paperback. Condizione: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and imag…es. Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Lingua: Inglese
Editore: Duke University Press, 1997
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his…philosophy of difference. Series: Post-Contemporary Interventions / Latin America in Translation. Num Pages: 280 pages, 41 black and white photographs, 5 figures. BIC Classification: APFA; HPCF. Category: (P) Professional & Vocational. Dimension: 236 x 193 x 20. Weight in Grams: 468. . 1997. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Duke University Press, 1997
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Da: Kloof Booksellers & Scientia Verlag, Amsterdam, Paesi BassiKloof Booksellers & Scientia Verlag
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Condizione: as new. Durham, N.C. : Duke University Press, 1997. Paperback. 258 pp. - lles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author exami…nes the logic of Deleuze's theories and their relationship to his philosophy of difference. lthough Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema The Movement-Image and The Time-Imagein the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other booksincluding his influential work with Félix GuattariRodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy. Condition : as new copy. ISBN 9780822319702. Keywords : PHILOSOPHY.
Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 1997
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press, 1997
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Duke Univ Pr, 1997
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 280 pages. 9.75x6.50x0.50 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press, 1997
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Condizione: New. In English.
Lingua: Inglese
Editore: Duke University Press, 1997
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paperback. Condizione: Fine.
Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 1997
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press Books, 1997
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paperback. Condizione: New. In shrink wrap. Looks like an interesting title.
Lingua: Inglese
Editore: Duke University Press, 1997
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Gilles Deleuze is one of France s most celebrated twentieth-century philosophers. Placing Deleuze s two books on cinema - The Movement-Image and The Time-Image - in the context of French cultural theory of the 1960s and 1970s, the author examines the lo.
Lingua: Inglese
Editore: Duke University Press, US, 1997
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and imag…es. Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Lingua: Inglese
Editore: Duke University Press, US, 1997
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and imag…es. Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
