Isbn: 9780822320494 - dangerous intimacies: toward a sapphic history of the british novel (15 risultati)

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  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    paperback. Condizione: Good.

  • Lingua: Inglese

    Editore: Duke University Press Books, 1997

    0822320495 / 9780822320494

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    Paperback. Condizione: As New. A sharp academic trade paper, clean with a tight binding with an unmarked text.From a private smoke free collection.Shipping within 24 hours a tracking number and delivery confirmation.

  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Lingua: Inglese

    Editore: MD - Duke University Press, 1997

    0822320495 / 9780822320494

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  • Lingua: Inglese

    Editore: Duke University Press, US, 1997

    0822320495 / 9780822320494

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    Paperback. Condizione: New. Refuting commonly held beliefs within women's and lesbian history, feminist theory, and histories of the novel, Dangerous Intimacies challenges the idea that sex between women was unimaginable in British culture before the late nineteenth century. Lisa L. Moore argues that literary representations of female sexual agency-and in particular "sapphic" relationships between women-were central to eighteenth-century debates over English national identity. Moore shows how the novel's representation of women's "romantic friendships"-both platonic and sexual-were encoded within wider social concerns regarding race, nation, and colonialist ventures.Moore demonstrates that intimacy between women was vividly imagined in the British eighteenth century as not only chaste and virtuous, but also insistently and inevitably sexual. She looks at instances of sapphism in such novels as Millenium Hall, Memoirs of a Woman of Pleasure, Belinda, and Emma and analyzes how the new literary form of the novel made the bourgeois heroine's successful negotiation of female friendship central to the establishment of her virtue. Moore also examines representations of sapphism through the sweeping economic and political changes of the period and claims that middle-class readers' identifications with the heroine's virtue helped the novel's bourgeois audience justify the violent bases of their new prosperity, including slavery, colonialism, and bloody national rivalry. In revealing the struggle over sapphism at the heart of these novels of female friendship-and at the heart of England's national identity-Moore shows how feminine sexual agency emerged as an important cultural force in post-Enlightenment England.

  • Lingua: Inglese

    Editore: Duke University Press Books, 1997

    0822320495 / 9780822320494

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    Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780822320494.

  • Lingua: Inglese

    Editore: Duke University Press Books, 1997

    0822320495 / 9780822320494

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  • Lingua: Inglese

    Editore: Duke Univ Pr, 1997

    0822320495 / 9780822320494

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    Paperback. Condizione: Brand New. 200 pages. 9.50x6.75x1.00 inches. In Stock.

  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    Condizione: New. Refuting commonly held beliefs within women's and lesbian history, feminist theory, and histories of the novel, this book challenges the idea that sex between women was unimaginable in British culture before the late nineteenth century. It is of interest to readers engaged in literary and queer theory. Num Pages: 200 pages. BIC Classification: 2AB; DSB; DSK; JFSK1. Category: (P) Professional & Vocational. Dimension: 152 x 229 x 14. Weight in Grams: 340. . 1997. Paperback. . . . .

  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    Condizione: New. In English.

  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    Paperback Nov 24, 1997. Condizione: Used: Very Good. Dangerous Intimacies: Toward a Sapphic History of the British Novel | L.L. Moore | Duke University Press, 1997, in-8 broché, 190 pages. Couverture en bel état général. Dos solide. Intérieur frais. [BT27].

  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

  • Lingua: Inglese

    Editore: Duke University Press, 1997

    0822320495 / 9780822320494

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    Condizione: New. Refuting commonly held beliefs within women's and lesbian history, feminist theory, and histories of the novel, this book challenges the idea that sex between women was unimaginable in British culture before the late nineteenth century. It is of interest to readers engaged in literary and queer theory. Num Pages: 200 pages. BIC Classification: 2AB; DSB; DSK; JFSK1. Category: (P) Professional & Vocational. Dimension: 152 x 229 x 14. Weight in Grams: 340. . 1997. Paperback. . . . . Books ship from the US and Ireland.

  • Lingua: Inglese

    Editore: Duke University Press Books, 1997

    0822320495 / 9780822320494

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    Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

  • Lingua: Inglese

    Editore: Duke University Press, US, 1997

    0822320495 / 9780822320494

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    Paperback. Condizione: New. Refuting commonly held beliefs within women's and lesbian history, feminist theory, and histories of the novel, Dangerous Intimacies challenges the idea that sex between women was unimaginable in British culture before the late nineteenth century. Lisa L. Moore argues that literary representations of female sexual agency-and in particular "sapphic" relationships between women-were central to eighteenth-century debates over English national identity. Moore shows how the novel's representation of women's "romantic friendships"-both platonic and sexual-were encoded within wider social concerns regarding race, nation, and colonialist ventures.Moore demonstrates that intimacy between women was vividly imagined in the British eighteenth century as not only chaste and virtuous, but also insistently and inevitably sexual. She looks at instances of sapphism in such novels as Millenium Hall, Memoirs of a Woman of Pleasure, Belinda, and Emma and analyzes how the new literary form of the novel made the bourgeois heroine's successful negotiation of female friendship central to the establishment of her virtue. Moore also examines representations of sapphism through the sweeping economic and political changes of the period and claims that middle-class readers' identifications with the heroine's virtue helped the novel's bourgeois audience justify the violent bases of their new prosperity, including slavery, colonialism, and bloody national rivalry. In revealing the struggle over sapphism at the heart of these novels of female friendship-and at the heart of England's national identity-Moore shows how feminine sexual agency emerged as an important cultural force in post-Enlightenment England.