9780822329947 - lines of flight: discursive time and countercultural desire in the work of thomas pynchon di mattessich, stefan (18 risultati)

Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Lingua: Inglese
Editore: Duke University Press, Durham, NC, 2002
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- Prima edizione
Da: Abacus Bookshop, Pittsford, NY, U.S.A.Abacus Bookshop
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softcover. Condizione: Fine copy. 1st. 8vo, 291 pp., Post-Contemporary Interventions series.

Lingua: Inglese
Editore: Duke University Press, Durham, North Carolina, U.S.A., 2002
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Da: Kenneth A. Himber, Lebanon, NJ, U.S.A.Kenneth A. Himber
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Soft cover. Condizione: As New. Condizione sovraccoperta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy.

Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: Aardvark Rare Books, Presteigne, HEREF, Regno UnitoAardvark Rare Books
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paperback. Condizione: New. **PAPERBACK**.

Lines of Flight : Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
Mattessich, Stefan; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: California Books, Miami, FL, U.S.A.California Books
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EUR 39,12
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Condizione: New.

Lines of Flight : Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
Mattessich, Stefan; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 40,08
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Condizione: As New. Unread book in perfect condition.

Lingua: Inglese
Editore: Duke University Press, US, 2002
- Brossura
Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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EUR 51,15
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Paperback. Condizione: New. For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in… the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination.

Lines of Flight : Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
Mattessich, Stefan; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.

Lingua: Inglese
Editore: Duke Univ Pr, 2002
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 52,60
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Paperback. Condizione: Brand New. 291 pages. 9.50x6.00x0.75 inches. In Stock.

Lingua: Inglese
Editore: Duke Univ Pr, 2002
- Brossura
Da: Mooney's bookstore, Den Helder, Paesi BassiMooney's bookstore
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EUR 58,00
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Condizione: Very Good.

Lines of Flight : Discursive Time and Countercultural Desire in the Work of Thomas Pynchon
Mattessich, Stefan; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 59,66
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Condizione: As New. Unread book in perfect condition.

Lingua: Inglese
Editore: DUKE UNIV PR, 2002
- Brossura
Da: moluna, Greven, Germaniamoluna
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EUR 42,12
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Kartoniert / Broschiert. Condizione: New. For Thomas Pynchon, the characteristic features of capitalism point to a transformation in the way human beings experience time and duration. Focusing on Pynchon s novels as representative artifacts of the postwar period, this book analyzes this transformat.

Lingua: Inglese
Editore: Duke University Press, US, 2002
- Brossura
Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 52,85
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Paperback. Condizione: New. For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a transformation in… the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination.

Lingua: Inglese
Editore: Duke University Press Nov 2002, 2002
- Brossura
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 54,00
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Taschenbuch. Condizione: Neu. Neuware - For Thomas Pynchon, the characteristic features of late capitalism-the rise of the military-industrial complex, consumerism, bureaucratization and specialization in the workplace, standardization at all levels of social life, and the growing influence of the mass media-all point to a trans…formation in the way human beings experience time and duration. Focusing on Pynchon's novels as representative artifacts of the postwar period, Stefan Mattessich analyzes this temporal transformation in relation not only to Pynchon's work but also to its literary, cultural, and theoretical contexts.Mattessich theorizes a new kind of time-subjective displacement-dramatized in the parody, satire, and farce deployed through Pynchon's oeuvre. In particular, he is interested in showing how this sense of time relates to the counterculture of the 1960s and 1970s. Examining this movement as an instance of flight or escape and exposing the beliefs behind it, Mattessich argues that the counterculture's rejection of the dominant culture ultimately became an act of self-cancellation, a rebellion in which the counterculture found itself defined by the very order it sought to escape. He points to parallels in Pynchon's attempts to dramatize and enact a similar experience of time in the doubling-back, crisscrossing, and erasure of his writing. Mattessich lays out a theory of cultural production centered on the ethical necessity of grasping one's own susceptibility to discursive forms of determination.

Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
- Print on Demand
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Lingua: Inglese
Editore: Duke University Press, 2002
- Brossura
- Print on Demand
Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 50,10
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.