9780822333432 - photography on the color line: w. e. b. du bois, race, and visual culture di smith, shawn michelle (33 risultati)
Lingua: Inglese
Editore: Duke University Press Books, 2004
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Editore: Duke University Press (edition ), 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press Books, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press Books, 2004
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Paperback. Condizione: Very Good+. Text clean and tight; A John Hope Franklin Center Book; 8vo 8" - 9" tall; 272 pages.
Lingua: Inglese
Editore: Duke University Press Books, 2004
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Soft cover. Condizione: Good. Softcover Paperback with only minor reading wear; underlining in the introduction. In stock. Ships from MN, USA.
Lingua: Inglese
Editore: Duke University Press June 2004, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press, US, 2004
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Paperback. Condizione: New. Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called "the problem of the twentieth century." Du Bois's prize-wi…nning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed-including double consciousness, the color line, the Veil, and second sight-available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois's photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois's exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.
Lingua: Inglese
Editore: Duke University Press 6/7/2004, 2004
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Paperback or Softback. Condizione: New. Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture. Book.
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press, US, 2004
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Paperback. Condizione: New. Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called "the problem of the twentieth century." Du Bois's prize-wi…nning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed-including double consciousness, the color line, the Veil, and second sight-available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois's photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois's exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.
Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Lingua: Inglese
Editore: Duke University Press, 2004
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Duke Univ Pr, 2004
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Paperback. Condizione: Brand New. illustrated edition. 272 pages. 9.50x5.75x0.75 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press, Durham, 2004
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Condizione: very good. no dustjacket. 8vo pp.225. book.
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New. An exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900 Series: A John Hope Franklin Center Book. Num Pages: 272 pages, 86 photographs (incl. special plate section). BIC Class…ification: 1KBBFG; AJB; AJC; JFSL3. Category: (P) Professional & Vocational. Dimension: 5919 x 3810 x 19. Weight in Grams: 390. . 2004. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New. pp. 272 Index.
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New. pp. 272 Illus.
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New. An exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900 Series: A John Hope Franklin Center Book. Num Pages: 272 pages, 86 photographs (incl. special plate section). BIC Class…ification: 1KBBFG; AJB; AJC; JFSL3. Category: (P) Professional & Vocational. Dimension: 5919 x 3810 x 19. Weight in Grams: 390. . 2004. Illustrated. Paperback. . . . .
Lingua: Inglese
Editore: Duke University Press, 2004
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Condizione: New. An exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900Über den AutorShawn Michelle Smith.
Lingua: Inglese
Editore: Duke University Press, US, 2004
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Paperback. Condizione: New. Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called "the problem of the twentieth century." Du Bois's prize-wi…nning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed-including double consciousness, the color line, the Veil, and second sight-available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois's photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois's exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.
Lingua: Inglese
Editore: Duke University Press Jun 2004, 2004
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- Foto
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Taschenbuch. Condizione: Neu. Neuware - Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called "the problem of the twentieth century." Du Boi…s's prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed-including double consciousness, the color line, the Veil, and second sight-available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois's photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois's exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.
