9780822352877 - mp3: the meaning of a format di sterne, jonathan (30 risultati)
Lingua: Inglese
Editore: Duke University Press Books, 2012
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Lingua: Inglese
Editore: Duke University Press, 2012
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Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Duke University Press, 2012
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Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Duke University Press, 2012
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Lingua: Inglese
Editore: Duke University Press,, 2012
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paperback. Condizione: Very Good. Duke University Press, 2012, trade paperbk., 341pp., NF $.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press, 2012
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Lingua: Inglese
Editore: Duke University Press, 2012
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Altre immaginiLingua: Inglese
Editore: Duke University Press, US, 2012
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from heari…ng research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call "media.".
Lingua: Inglese
Editore: Duke University Press 7/17/2012, 2012
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Paperback or Softback. Condizione: New. MP3: The Meaning of a Format. Book.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: California Books, Miami, FL, U.S.A.California Books
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Condizione: New.
Lingua: Inglese
Editore: MD - Duke University Press, 2012
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: Duke University Press Books, 2012
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
Lingua: Inglese
Editore: Duke University Press, US, 2012
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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condizione: New. MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from heari…ng research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call "media.".
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. Demonstrates that formats, standards, and infrastructures are every bit as central to communication as the boxes we call "media" Series: Sign, Storage, Transmission. Num Pages: 360 pages, 31 photographs, 5 tables. BIC Classification: AVX; TJK; TTA. Category: (P) Professional & Vocational. Dimension: 236 x 156 x…21. Weight in Grams: 520. . 2012. 0th Edition. Paperback. . . . .
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. Demonstrates that formats, standards, and infrastructures are every bit as central to communication as the boxes we call "media" Series: Sign, Storage, Transmission. Num Pages: 360 pages, 31 photographs, 5 tables. BIC Classification: AVX; TJK; TTA. Category: (P) Professional & Vocational. Dimension: 236 x 156 x…21. Weight in Grams: 520. . 2012. 0th Edition. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Duke Univ Pr, 2012
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 360 pages. 9.25x6.25x1.00 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press, US, 2012
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Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from heari…ng research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call "media.".
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Jonathan Sterne shows that understanding the historical meaning of the MP3, the world s most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Lingua: Inglese
Editore: Duke University Press, US, 2012
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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EUR 37,84
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Paperback. Condizione: New. MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larger universe of twentieth-century communication history, from heari…ng research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call "media.".
Lingua: Inglese
Editore: Duke Univ Pr, 2012
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 360 pages. 9.25x6.25x1.00 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Duke University Press, 2012
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Condizione: New. Print on Demand.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
Editore: Duke University Press, 2012
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND.
Altre immaginiLingua: Inglese
Editore: Duke University Press, 2012
- Brossura
- Print on Demand
Da: preigu, Osnabrück, Germaniapreigu
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EUR 52,50
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Taschenbuch. Condizione: Neu. MP3 | The Meaning of a Format | Jonathan Sterne | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2012 | Duke University Press | EAN 9780822352877 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Lingua: Inglese
Editore: Duke University Press, 2012
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- Print on Demand
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - MP3: The Meaning of a Format recounts the hundred-year history of the world's most common format for recorded audio. Understanding the historical meaning of the MP3 format entails rethinking the place of digital technologies in the larg…er universe of twentieth-century communication history, from hearing research conducted by the telephone industry in the 1910s, through the mid-century development of perceptual coding (the technology underlying the MP3), to the format's promiscuous social life since the mid 1990s.MP3s are products of compression, a process that removes sounds unlikely to be heard from recordings. Although media history is often characterized as a progression toward greater definition, fidelity, and truthfulness, MP3: The Meaning of a Format illuminates the crucial role of compression in the development of modern media and sound culture. Taking the history of compression as his point of departure, Jonathan Sterne investigates the relationships among sound, silence, sense, and noise; the commodity status of recorded sound and the economic role of piracy; and the importance of standards in the governance of our emerging media culture. He demonstrates that formats, standards, and infrastructures-and the need for content to fit inside them-are every bit as central to communication as the boxes we call 'media.'.
