9780822358855 - negro soy yo: hip hop and raced citizenship in neoliberal cuba di perry, marc d. (28 risultati)
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Condizione: Good. Reprint. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Condizione: Good. Reprint. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Zoom Books Company, Lynden, WA, U.S.A.Zoom Books Company
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Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
Lingua: Inglese
Editore: Duke University Press Books 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Broad Street Books, Branchville, NJ, U.S.A.Broad Street Books
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Paperback. Condizione: As New. Book is in excellent condition, text is unmarked and pages are tight.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Goodwill of Greater Milwaukee and Chicago, Racine, WI, U.S.A.Goodwill of Greater Milwaukee and Chicago
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Condizione: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or…other adhesive on cover; CD DVD may not be included; and book may be a former library copy.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press, US 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Paperback. Condizione: New. In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these y…oung artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: California Books, Miami, FL, U.S.A.California Books
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.
Lingua: Inglese
Editore: Duke University Press, North Carolina 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the w…ays these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaeton, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 288.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condizione: New. In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux. Series:…Refiguring American Music. Num Pages: 296 pages, 14 illustrations. BIC Classification: 1KJC; AVGR; HBJK; JHMC. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 18. Weight in Grams: 409. . 2015. Paperback. . . . .
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New. pp. 288.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux. Series:…Refiguring American Music. Num Pages: 296 pages, 14 illustrations. BIC Classification: 1KJC; AVGR; HBJK; JHMC. Category: (G) General (US: Trade). Dimension: 5817 x 3887 x 18. Weight in Grams: 409. . 2015. Paperback. . . . . Books ship from the US and Ireland.
Lingua: Inglese
Editore: Duke Univ Pr 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. reprint edition. 284 pages. 9.25x6.25x0.75 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
- Brossura
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Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press, North Carolina 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
- Brossura
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Paperback. Condizione: new. Paperback. In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the w…ays these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaeton, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during an era in which the Cuban economy, society, and nationhood have been under constant flux. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Duke University Press, US 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these y…oung artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux.
Lingua: Inglese
Editore: Duke Univ Pr 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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- Print on Demand
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. reprint edition. 284 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 438.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Condizione: New. PRINT ON DEMAND pp. 288.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In Negro Soy Yo Marc D. Perry explores how Cuban raperos (black-identified rappers) in Havana craft notions of black Cuban identity and racial citizenship in the face of continuing racism and marginalization during a…n era in which the Cuban economy, society.
Altre immaginiLingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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Da: preigu, Osnabrück, Germaniapreigu
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Taschenbuch. Condizione: Neu. Negro Soy Yo | Hip Hop and Raced Citizenship in Neoliberal Cuba | Marc D. Perry | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | Duke University Press | EAN 9780822358855 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-n…ostrum[dot]co[dot]uk | Anbieter: preigu Print on Demand.
Lingua: Inglese
Editore: Duke University Press 2015
Serie: Refiguring American Music, Libro 20 di 34. Libro 20 di 34 - Refiguring American Music
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- Print on Demand
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Negro Soy Yo Marc D. Perry explores Cuba's hip hop movement as a window into the racial complexities of the island's ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of b…lack-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux.
