9780822946533 - victorian science & imagery: representation & knowledge in nineteenth-century visual culture di marshall, nancy rose (14 risultati)
Lingua: Inglese
Editore: University of Pittsburgh Press, 2021
Serie: Libro 42 di 49 - Sci & Culture in the Nineteenth Century
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Hardcover. Condizione: new. Hardcover. The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientist…s relied on graphic representation to conceptualise their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories - such as Darwin's theory of evolution and sexual selection - deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalised, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy. AUTHOR: Nancy Rose Marshall is a professor in the Art History Department of the University of WisconsinMadison. 66 b/w illustrations, 7 colour plates An Argument for Art and Science as Practices and Knowledges that Emerge from Shared Epistemologies Rather than Compartmentalized Disciplines Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: University of Pittsburgh Press, 2021
Serie: Libro 42 di 49 - Sci & Culture in the Nineteenth Century
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Editore: University of Pittsburgh Press, 2021
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Condizione: New. 2021. Hardcover. . . . . .
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Editore: University of Pittsburgh Press, 2021
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Lingua: Inglese
Editore: Univ of Pittsburgh Pr, 2021
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Hardcover. Condizione: Brand New. 355 pages. 9.00x6.00x1.50 inches. In Stock.
Lingua: Inglese
Editore: University of Pittsburgh Press, 2021
Serie: Libro 42 di 49 - Sci & Culture in the Nineteenth Century
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Condizione: New. Examines the close relationship between art and science in British and American visual culture.Über den AutorNancy Rose Marshall is a professor in the Art History Department of the University of Wisconsin-Madison.
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Lingua: Inglese
Editore: University Of Pittsburgh Press Jul 2021, 2021
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Buch. Condizione: Neu. Neuware - The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists reli…ed on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories--such as Darwin's theory of evolution and sexual selection--deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Lingua: Inglese
Editore: University of Pittsburgh Press, Pittsburgh PA, 2021
Serie: Libro 42 di 49 - Sci & Culture in the Nineteenth Century
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Hardcover. Condizione: new. Hardcover. The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientist…s relied on graphic representation to conceptualise their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories - such as Darwin's theory of evolution and sexual selection - deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalised, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy. AUTHOR: Nancy Rose Marshall is a professor in the Art History Department of the University of WisconsinMadison. 66 b/w illustrations, 7 colour plates An Argument for Art and Science as Practices and Knowledges that Emerge from Shared Epistemologies Rather than Compartmentalized Disciplines Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
