ISBN: 9780847817092 - time dust: james rosenquist complete graphics 1962-1992 [lingua inglese] (13 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. edge wear, wrinkling, small tear on spine of dust jacket. moisture wrinkling on upper edge of pages. text is unmarked. binding tight. additional postage required for international orders.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Small name label ffep.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jacket is rubbed and edge worn especially to spine. Bump to head of spine affecting jacket and binding. Two gate folds undamaged, binding firm, unmarked copy.

Hardcover. dj. First Edition. Square Quarto, xv, 180 pages. In Very Good condition with a Good dust jacket. Spine tan with white lettering. Dust jacket protected with a mylar covering. General shelf wear. Closed tearing to dust jacket at head of spine and at top corner of rear cover. Heavy discoloration to dust jacket. Spine slightly cocked. Textblock clean. Shelved in Artist Monographs. 1416721. Shelved Dupont Bookstore.…

Hardcover. Black cloth. Color pictorial dj. xv, 180 pp. 25 bw, 150 color plates. Published in conjunction with an exhibition that began at the Walker Art Center in Minneapolis in March 1993 and went to nine other locations. Extensive bibliography. Terrific book on this artist. "James Rosenquist is an internationally renowned artist who first achieved wide recognition as a result of his pioneering contributions to Pop Art in the 1960s and 1970s. Like many artists of his circle, particularly Andy Warhol and Roy Lichtenstein, Rosenquist has been fascinated with the visual language and ephemera of mass-reproduction. In Rosenquist's case, his interest was manifested in an art derived from popular imagery sources yet committed to the expression of his personal concerns as an artist and a printmaker. He has tested the limits of the medium in order to achieve, on the one hand, subtle nuances unique to particular techniques, and, on the other, the vast billboard scale that is his signature style." "This book traces Rosenquist's entire career, from his early work as a sign painter to the creation of what is thought to be the world's largest print, Time Dust, completed in 1992. An important historical text by Constance Glenn explores such contemporary issues as the role of the mass-media, the appropriation of its techniques and imagery, and the origin and demand for multiple images, as well as presenting in depth the artist's evolution as painter and printmaker. The 150 colorplates include - in addition to landmark paintings - numerous examples of previously unpublished sketches and prints, as well as many of Rosenquist's famous works, such as the great installation print F-111. The book includes a catalogue raisonne of the artist's 229 prints and an extensive bibliography."--BOOK JACKET. VG- (Majority of pages lightly creased at bottom right-hand corner.).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear - clean, unmarked, tightly bound.; published in assoc. with the university art museum, california state univ., long beach and is also an exhibition catalogue.; xv-180pp., 150 color plates plus 229 prints in the catalogue raisonne., important reference on rosenquist's graphic oeuvre through 1992.; laid-in are paper notes on certain prints by a private dealer. Size: Square 4to. Catalogue Raisonne. …

Hardcover with dustjacket, 180 pages, as new condition; clean and crisp; no internal marks. Foreign shipping will be extra.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine D. J. First Edition. Inscribed By Artist: James Rosenquist. Near fine first edition with near fine dust jacket. Size: 4to - over 9¾" - 12" tall. Inscribed By Artist.

Hardcover. Condizione: Used - Very Good. 1993 Spans the painter's career up to the world's largest print.

Glenn, Constance W. JAMES ROSENQUIST: Time Dust. The Complete Graphics, 1962-1992. 180 pp., 25 b&w and 150 color illustrations. 4to, cloth. New York, Rizzoli International, 1993. The long awaited catalogue raisonné, covering his career from a sign painter to the world's largest print, TIME DUST, in 1991. Documenting over 300 prints with an extensive bibliography.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Inscribed and signed by James Rosenquist on the half-title page. The book has sound hinges and does not lean. Pages are clean and bright. The book's exterior covers and spine are spotless but with a slight scuff mark on the front cover. The lower left corner of the back cover is lightly bumped. The dust jacket is completely clean and is not clipped. It shows light wear to top and bottom edges but no holes, chips or tears. (Note: Photos may show a flash reflection.) PayPal always welcome. We pack all our books with care and ship in cardboard boxes. Shipment outside of the United States will require extra funds. Additional photos emailed upon request. Inscribed by Author(s).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, xv, 180 pages, illustrations (some colour); 26 cm. Exhibition held at the Walker Art Center, Minneapolis, Minnesota, March 7 and May 10, 1993 and others. Published in conjunction with the exhibition organized by the University Art Museum, California State University, Long Beach. SIGNED. Boldly signed by James Rosenquist (1933-2017) on the half-title page, no dedication. A fine copy. Dust jacket protected in a mylar cover. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "James Rosenquist is an internationally renowned artist who first achieved wide recognition as a result of his pioneering contributions to Pop Art in the 1960s and 1970s. Like many artists of his circle, particularly Andy Warhol and Roy Lichtenstein, Rosenquist has been fascinated with the visual language and ephemera of mass-reproduction. In Rosenquist's case, his interest was manifested in an art derived from popular imagery sources yet committed to the expression of his personal concerns as an artist and a printmaker. He has tested the limits of the medium in order to achieve, on the one hand, subtle nuances unique to particular techniques, and, on the other, the vast billboard scale that is his signature style. This book traces Rosenquist's entire career, from his early work as a sign painter to the creation of what is thought to be the world's largest print, Time Dust, completed in 1992. An important historical text by Constance Glenn explores such contemporary issues as the role of the mass-media, the appropriation of its techniques and imagery, and the origin and demand for multiple images, as well as presenting in depth the artist's evolution as painter and printmaker. The 150 colorplates include - in addition to landmark paintings - numerous examples of previously unpublished sketches and prints, as well as many of Rosenquist's famous works, such as the great installation print F-111. The book includes a catalogue raisonne of the artist's 229 prints and an extensive bibliography." - Publisher. Size: 4to. SIGNED. Collectible.…

Hardcover. Condizione: As New.